Saturday, August 21, 2021

Marshall Field & Company, Cloud Room Restaurant in the Chicago Municipal Airport (Midway).

In 1926 Chicago began leasing an airstrip for commercial purposes. A single cinder runway served airmail traffic. Chicago Municipal Airport was dedicated on December 12, 1927, offering mail, express, and passenger service.

Marshall Field & Company opened its Cloud Room restaurant, in the passenger terminal building of the Chicago Municipal Airport (Midway International Airport, today) on March 20, 1948. The night before the restaurant opening, Mayor Martin Kennelly was the guest of honor in the Cloud Room, a 3,600 square foot dining salon that overlooks the runways of the airport. Marshall Field & Company paid $90,000 ($1,020,000 today) to build out the second floor of the restaurant and $260,000 ($2,945,000 today) to equip it. Marshall Field & Company agreed to pay the city $2,596 or 5% of its gross business and 40% of its net profit.

NOTE: The above contract was a good deal for Marshall Field & Company with a captive audience. Between 1932 and 1961, Chicago's Midway Airport boasted the title of the "world's busiest airport." At its peak in 1959, the municipal airport served 10 million passengers.

1949 MENU TEXT AND PICTURES
Menu Cover


You will find in food and service ... the sky's the limit in the Cloud Room!

There are good reasons why this is true.

For a world on the wing, the airport is the front door to the city. Here the traveler by air gets his first, sometimes his only glimpse of Chicago. Like any conscientious citizen, Marshall Field & Company want this impression to be the best.
Fun for the young — and the young at heart!



That's why, just beneath the main control tower in the terminal building, you will find the Marshall Field & Company Cloud Room on the second floor.

It is an excellent restaurant in food and service — a showcase for Chicago. From your table in the windowed bay of the Cloud Room, you can sit and watch the drama of the skyways, the giant silvered planes that gather here from the far ends of the earth. 
Business lunch in the Cloud Room is a pleasure.



You can relax in comfort, dine to a gourmet's taste, admire the vermilion and gray decore, the shapes and shadows of Alexander Calder's mobile in brass, "Flight in Motion." 
Alexander Calder's mobile sculpture, “Brass in the Sky.”




NOTE: Alexander Calder's mobile sculpture, “Brass in the Sky,” was placed in storage. Field's installed it in the Northbrook Court store. In 2001, when Target Corporation took over Marshall Field's in 2004 the mobile was donated to the Chicago Museum of Contemporary Art. Subsequently, the museum auctioned off the mobile fetching $2 million in 2005 from a private collector.

If you wish, you can inspect the shining stainless steel kitchens, as up-to-date and serviceable as a DC-6. Restaurant men have come from every part of the country to see them.
View of Marshall Field's Coffee Shop on the ground level.


Quick service around the clock in the first floor Coffee Shop.



Sightseers, too, who come to watch the spectacular, real-life show from the promenades around the airport, will find a meal in the Cloud Room a fitting climax to their visit — especially since this meal takes place behind a wall of glass, one of the vantage points for viewing the coming and going of the giant airships.
The big ships pass before your eyes.



All in all, the Cloud Room is a modern, cosmopolitan dining place for the traveler, the casual visitor, and the sightseer alike. It is because we want the Cloud Room to reflect this city's spirit of hospitality and this store's effort to be of service to the community.


By Dr. Neil Gale, Ph.D.

Friday, August 20, 2021

The Lake House, Chicago's First Luxury Hotel and Fine Dining Restaurant.

The Lake House opened in 1835 as the first luxury hotel and fine dining restaurant, becoming famous for its French cooking. The hotel stood on the north side of the Chicago River on what was then the lakeshore, across the river from Fort Dearborn near where the Wrigley Building stands today.
This photograph was taken between 1857 and 1859 when the Lake House was a Hospital for the poor. The Rush Street bridge opened in 1857.




This impressive brick hotel was four stories in height plus a basement and elegantly furnished at $90,000 ($2,792,000 today). The building was surrounded by one of the only sidewalks in the town.

The men whose "Lake House Association" enterprise built the hotel and restaurant were Gurdon S. Hubbard, John Harris Kinzie (John Kinzie's son), General David S. Hunter (First Lieutenant, Fifth Infantry, Commandant of Fort Dearborn (December 14, 1830, to May 20, 1831), Dr. William Bradshaw Egan (Illinois House of Representatives (1852-1854), and Major James B. Campbell (real estate investor)

The Lake House Hotel was the first restaurant in Chicago to serve live oysters, transported from New England by sleigh in 1838.

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I've been asked several times how fresh oysters could come from the East Coast.

First of all, oysters were kept alive on Ice while being transported. If an oyster's shell opens, they die. Dead oysters carry dangerous bacteria for humans.

Chicago's first fresh oysters were delivered in 1838 by sleigh from New Haven, Connecticut. This spurred Chicago’s earliest love affair with the oyster. By 1857, there were seven "Oyster Depots" and four "Oyster Saloons" in the city, and the population was 109,000 in 1860. Peaking in the Gilded Age of the 1890s (population of 1,001,000 in 1890) and waning with Prohibition, oyster consumption was plentiful in old Chicago. Believe it or not, ice cream parlors also served oysters because they had all that ice.

In the 1890s, express-service refrigerated train cars shipped oysters and other perishable foods around the country. The cars did not come into general use until the turn of the 20th century.

The Lake House was Chicago's first foray into fine dining and offered some East Coast imports to their well-heeled clientele. It was the first restaurant in Chicago to serve dinner in courses and to use white tablecloths, napkins, menu cards, and even toothpicks.
Michigan Street was renamed Hubbard Street (440N 1 to 299E)
CLICK THE MENU FOR A LARGER IMAGE






The first Rush Street bridge, a swing bridge, opened in 1857 (destroyed in an accident in 1863), but before then, a ferry at the Lake House, said to be "the safest and the pleasantest on the river," was free.

In the words of James Buckingham, a sophisticated British gentleman who visited in 1840, the hotel was "superior . . .  excellent . . .  Elysium (paradise)."

On November 30, 1845, a group of Scots in Chicago gathered at the Lake House to celebrate the Scottish culture and identity on Saint Andrew's Day. They formed the "Saint Andrew Society," similar to the one on the East Coast.

The Lake House was sold to the Sisters of Mercy in 1850. On February 27, 1851, the "Illinois General Hospital" was given over to the charge of the Sisters of Mercy. On June 21, 1852, the Illinois State Legislature incorporated Mercy Hospital and Mercy Orphanage. In May 1853, finding the hospital (Lake House) inadequate to accommodate the increasing number of patients, the Sisters moved the patients to a large frame building on Kenzie Street.

John Johnson and Frederick Knickerbocker purchased the Lake House building and reopened the hotel and restaurant.

A shocking calamity occurred on September 19, 1856. At about seven o'clock in the morning, the boat at the Lake House ferry capsized while crossing from the North to the South Side of the river. It was crowded with passengers, all men, and most laborers going to work. Many succeeded in swimming ashore. Others were picked up by boats. It was supposed that a large number drowned, but as only ten bodies were subsequently found, it was concluded that the fatalities were not as bad as first believed. 

The boat was not the regular ferry boat in use because the regular boat was being repaired. The substitute was the old flat scow ferry that had been used at Wells Street. It really was not fit for use. Those who crowded upon the boat in such numbers did not know its unseaworthy character. They were so impatient to cross that they took the boat out of the charge of the ferryman and left him on the shore. When the boat was a few feet from the shore, the ferryman slacked the line as a vessel approached. The coroner's verdict declared this act imprudent, but it could not have caused the accident. The over-capacity boat immediately careened because it became unbalanced as the weight shifted, and all of the passengers were thrown into the river.

The Great Chicago Fire of 1871 leveled the building.


Compiled by Dr. Neil Gale, Ph.D.

Thursday, August 19, 2021

The Bes-Ben Shops. Chicago's Avant-Garde Milliner.

Benjamin 'Ben' Benedict Green-Field (1897-1988) was born in Chicago. At six, his father died, so his mother, Ida, became a milliner to support the family. After dropping out of high school, Green-Field also apprenticed in the millinery trade.

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Benjamin Benedict Green-Field's birth year, 1897, is the correct year from Rosehill Cemetery records, and everywhere else online shows Ben's birth year as 1898.

In 1919, Ben and his sister Bessie (1895-1987) opened a millinery and hat boutique on Chicago's State Street and named it Bes-Ben. 

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The difference between a Haberdasher and a Milliner is that a haberdasher is a dealer in ribbons, buttons, thread, needles, small sewing accessories and sewing goods (aka notions) while a milliner is a person who is involved in the manufacture, design, and/or the sale of hats for women.

The pair's business had grown in eight years and opened four more shops. 
Portrait of Benjamin Green-Field seated with sister Bessie, c.1920s.
Within eight years, the pair had grown their business enough to open four more shops. Though Bessie left the company shortly after getting married, Ben continued to sell hats for over fifty years, serving clients from Chicago's high society and Hollywood stars like Lucille Ball, Marlene Dietrich, Carole Landis, and Elizabeth Taylor.

Bes-Ben hats were often decorated with multiple "miniatures" of things, including dogs, owls, palm trees, lobsters, kitchen utensils, napkin rings, cigarette packages, bugs, skyscrapers, and doll furniture. The hat that Green-Field made for Hedda Hopper to wear to the film "The Razor's Edge" premiere was topped with actual razor blades!
Women's Bes-Ben hat features a navy blue straw crown decorated on the edge with six gold and brown silk floss embroidered butterflies. Three butterflies sit atop the crown. Navy diamond pattern net veil. Worn by donor's mother, Mrs. Donald F. McPherson (Frances Ogden West), grandniece of William B. Ogden, first mayor of Chicago,  c.1956
Women's hat with crown entirely covered with white, grey, blue, and yellow embroidered swans, designed by Bes-Ben, 1965.


As with many milliners of the time, the rationing of the war years caused Green Field to embrace non-traditional materials. During the WWII-era (1939-1945) interview, Green-Field said: "Anything that makes people laugh at this point in world history may be said to have its own excuse for being."

The Bes-Ben style had shifted from traditional, stylish hats to surreal and amusing designs in 1941. Green-Field's sense of humor, high design skills, and use of unique materials made his work highly sought after.
Women's Bes-Ben hat of blue and red silk velvet and green and orange cotton plush. Features organic abstract shapes decorated with the stylized face of white and orange wool felt, orange feathers, and green faceted stones. One of 5 hats specially executed in conjunction with an exhibition of the works of Pablo Picasso at the Art Institute of Chicago in 1957
Women's Bes-Ben hat of red, green, and fuchsia silk velvet, trimmed with two green plastic stones and peacock feathers. One of 5 Hats was specially constructed in conjunction with an exhibition of the works of Pablo Picasso at the Art Institute of Chicago in 1957.


Heralded as "Chicago's Mad Hatter" in the 1940s, his designs became increasingly whimsical and witty, incorporating unique elements such as kitchen utensils, dice, playing cards, cigarettes, and matchbooks.
Green-Field originally custom-made this piece for Mary Frances Ackerman, the wife of Chicago White Sox owner Bill Veeck.






Conical hat made of black tubing and beads, trimmed with three bumblebees and beaded veil,  c.1950.


The signature Bes-Ben panache extended to Green-Field's personal style as well. He loved to dress up and was fond of brocade jackets, cashmere and jewelry. He was known for his extensive wardrobe and the decorative items he collected during travels. His shop at 938 North Michigan Avenue was full of pillows he brought back from around the world and was a popular social location.
Women's Bes-Ben hat of orange woven straw with green leaves and vegetables around the crown, c.1955.

As well as a talented millinery designer, Green-Field was an astute businessman who knew how to market his hats. 
Benjamin Green-Field owned Bes-Ben and a model wearing his rabbit hat design.
Every summer, he would hold a sale where everything would be $5, a fantastic deal considering that most of his hats sold for more than $100. People would line up at 2:15 AM for a chance to grab a hat flung out to the crowd by Green-Field himself.
A crowd outside Bes-Ben's store clamors for hats at 2:15 AM, 1963, Time-Life Magazine.


It would take him an hour and a half to empty his store of around 400 hats, and then the shop would close for several weeks for a staff holiday. Green-Field would then leave on one of his famous around-the-world shopping trips; it's said he's been around the world more than 70 times, as documented by Bes-Ben's records from 1920-1988 [1].

One of his pieces, 'Independence Day,' was sold at auction for a record $18,400! The hat was adorned with an unfurled American flag with red, white, and blue firecrackers and stars.
In the 1960s, demand for hats declined. Note that men also stopped buying and wearing hats once President John F Kennedy took office in 1961 because he did not like wearing hats.

Green-Field, family, and clients generously donated more than 500 hats to the Chicago Historical Society (name changed to the "Chicago History Museum" in September 2006), plus all the trims, materials, and hat blocks from his shops. He also included many of his suits and robes from his personal wardrobe. A significant contribution funded the creation of the Benjamin B. Green-Field Gallery and the Bessie Green-Field Warshawsky (no connection to the famous auto parts magnate, Roy I. Warshawsky of Chicago's "Warshawsky and Company.") Gallery in memory of his sister.

Founded in 1974, the Costume Council supports the Chicago History Museum's work to care for, conserve, interpret, and display items in the costume collection. The Museum has maintained and grown into one of the world's premier collections through the Council's efforts, with pieces dating from the eighteenth century to the present. The Council also generously supports the Museum's costume-based exhibitions, furthering the public's understanding of history through clothing. The Chicago History Museum is home to one of the world's largest collections of Bes-Ben hats. 
The success of Bes-Ben enabled Green-Field to be a philanthropist. He founded and endowed the Benjamin B. Green-Field Foundation in 1987, an organization that continues to improve the quality of life for children and the elderly in Chicago.

Ben died at 90 or 91 and is buried at Rosehill Cemetery in the Green-Field Family Room in the Mausoleum, Chicago, Cook County, Illinois, in 1988.

VERIFIED SHOP LOCATIONS 
Bes-Ben Shop at 620 South Michigan Avenue, Chicago. 
Bes-Ben Inc., at 938 North Michigan Avenue, Chicago.

MILLINERY RETAIL SHOPS IN CHICAGO'S YELLOW PAGES
1913 = 411
1940 = 509
1963 = 158

MILLINERY SHOPS LEFT IN 2021 CHICAGOLAND
Chicago: 
    Loreta Corsetti Millinery
    Eia Millinery Design
    Optimo Hats
Skokie: 
    Chapeau Creations Hats
Glen Ellyn:
    Veiled By ChaCha

Compiled by Dr. Neil Gale, Ph.D.



[1] The Chicago History Museum holds Bes-Ben, Inc., records from 1920-1988. What's included? Ledgers, photographs, customer card index files, state time inspection records; sundry correspondence, sales slips, passports, personal account books, and other materials relating to the Bes-Ben millinery shops in Chicago operated by Benjamin Green-Field and his sister Bessie Green-Field Warshawsky. Also included are records of Ben's world travels. 

Wednesday, August 18, 2021

Marshall Field & Company covered their display windows on Sundays.

Marshall Field & Company's State Street store in 1920s Chicago.


The famous Marshall Field clock reads 9:50 am. Marshall Field was closed on Sundays and would have the display window’s drapes pulled down to discourage window shopping on Sundays. 

These drapes were also utilized when the display windows were being changed out. When mannequins were used in the window display, Marshall Field did not want naked or partially nude mannequins exposed to the public.

Early on, Marshall Field didn't allow his female sales clerks to wear makeup. I don't know when this policy changed.

Note the 'vault lights' in the sidewalk - Read my article.





Compiled by Dr. Neil Gale, Ph.D.

Monday, August 16, 2021

The Humorist and Literary Lincoln.

Abraham Lincoln was the only president who was both a humorist and a literary artist. Lincoln's funny stories not only entertained people; they also helped him make important points. Lincoln was utterly without malice, but he was the most vilified of all our presidents. His sense of humor, however, as well as his deep devotion to democratic ideals, led him to respond to personal attacks with tolerance and magnanimity. And he enshrined his democratic faith in some of the most beautiful English prose ever written.
This is the first picture of Lincoln I ever saw smiling. But of course, it's been photoshopped.


Abraham Lincoln was the first humorist to occupy the White House. It's been said that he could make a cat laugh! "It was as a humorist that he towered above all other men it was ever my lot to meet,'" said another friend from Lincoln's youth. H.C. Whitney, a lawyer who rode the circuit with Lincoln in Illinois, was struck by Lincoln's keen sense of the absurd: "He saw the ludicrous in an assemblage of fowls, in a man spading his garden, in a clothesline full of clothes, in a group of boys, in a lot of pigs rooting at a mill door, in a mother duck teaching her brood to swim- in everything and anything." During the Civil War, London's Saturday Review told its readers: "One advantage the Americans have is the possession of a President who is not only the First Magistrate, but the Chief Joker of the Land." By the middle of 1863, several joke books—with titles like Old Abe's Jokes, Abe's JokesFresh from Abraham's Bosom, and Old Abe"s Jokes, or, Wit at the White House—were circulating in the North and spreading Lincoln stories, many of them spurious, far and wide, and there have been collections of Lincoln anecdotes in print ever since.

Humor was unquestionably a psychological necessity for Lincoln, though, being a serious, not a solemn, man, he wouldn't have put it quite that way. He once called laughter "the joyous, beautiful, universal evergreen of life." He enjoyed droll stories the way some people enjoy detective stories. But both as a lawyer and as a politician, he also found amusing stories enormously helpful in putting across important points he wanted to make. And as president, he used his gift as a storyteller to put people at ease, to win them over to his point of view, or simply to get them off the point and out of his office without having to deny their requests in so many words. Humor, he once said, was "an emollient" that "saves me much friction and distress." A group of people who had gone to the White House seeking government jobs reported resignedly afterward that "the President treated us to four anecdotes." But humor was also important for Lincoln during the Civil War as a means of relaxing, getting away from his troubles for a moment, and refreshing his spirit. Once, when a congressman came to see him complaining about something, Lincoln said, "Well, that reminds me of a story." Outraged, the congressman told him he had not come to the White House to hear a joke. "Now, you sit down!" exclaimed Lincoln. "If I couldn't tell these stories, I would die." On another occasion, Ohio's Senator Benjamin Wade called to demand that General Grant, who was not doing very well before Vicksburg at the time, be fired at once. "Senator," said Lincoln, "that reminds me of a story." "Yes, yes," said Wade impatiently, "that is the way it is with you, Sir, all story, story! You are the father of every military blunder that has been made during the war. You are on the road to hell. Sir, with this government, by your obstinacy, and you are not a mile off this minute!" "Senator," said Lincoln gently, "that is just about the distance from here to the Capitol, is it not?"

Lincoln's taste in jokes ran all the way from the lowly pun to the satirical anecdote. Like all lovers of the English language, he took keen pleasure in plays upon words. Once he was looking out of the window of his law office in Springfield, Illinois, and saw a stately matron, wearing a many-plumed hat, picking her way gingerly across the muddy street. Suddenly she slipped and fell. "Reminds me of a duck," said Lincoln. "Why is that?" asked a friend. "Feathers on her head and down on her behind," said Lincoln. On another occasion, he was taking a walk in Washington with his secretary of state, William H. Seward, and they passed a store with the proprietor's name, T.R. Strong, in bold letters on a sign in front of the store. "T.R. Strong," said Lincoln, "but coffee are stronger." Seward smiled but made no reply. "We don't see how he could reply after so atrocious a thing as that," commented the newspaper which reported the story.  

But Lincoln's humor ordinarily rose above the level of puns. He particularly enjoyed teasing solemn people. When a temperance committee called to tell him that Union defeats were "the curse of the Lord" on a drunken army, Lincoln (who was a teetotaler) could not resist saying that it was "rather unfair on the part of the curse, as the other side drank more and worse whiskey than ours did." He treated some Chicago ministers who came to give him advice the same way. When they told him they had come to deliver "a message to you from our Divine Master" about his slavery policy. Lincoln said it was "odd that the only channel he could send it by was the roundabout route of that awful wicked city of Chicago!" He had some fun, too, with a pompous Austrian count who wanted to obtain a position in the Union army. In making his request, the Austrian harped on the fact that his family was ancient and honorable and that he bore the title of count. With a twinkle in his eye, Lincoln finally patted him on the shoulder and said, "Never mind, you shall be treated with just as much consideration for all that. I will see to it that your bearing a title shan't hurt you."

Lincoln's humor was not always gentle. Sometimes he used it to point up a blunt truth. Asked once how large the Confederate army was, he said, "About 1,200,000 men," and when his questioner expressed amazement, Lincoln explained: "Well, whenever one of our generals is licked, he says he was outnumbered three or four to one, and we have 400,000 men." He also could not help making wry remarks about General George B. McClellan, whose extreme caution in pushing military campaigns drove Lincoln almost crazy. Once, when a man from a Northern city asked him for a pass to Richmond, Lincoln exclaimed: "My dear sir, if I should give you one, it would do you no good. You may think it very strange, but there are a lot of fellows who either can't read or are prejudiced against every man who takes a pass from me. I have given McClellan, and more than 200,000 others, passes to Richmond, and not one of them has gotten there!" A little later, greatly irked by McClellan's inactivity, he wrote: "Dear General, if you do not want to use the army, I would like to borrow it for a few days." Lincoln gave as good as he got, too, when he felt like it. When McClellan, irritated by one of Lincoln's orders requiring detailed reports to the White House, sent him a telegram saying, "We have just captured six cows. What shall we do with them?" Lincoln answered: "Milk them."

Sometimes Lincoln's humor had satirical and ironic overtones. When he was in Congress, 1847-1849, he opposed the Mexican War, and in one speech, he said that people who denied that it was a war of aggression reminded him of the Illinois farmer who said, "I ain't greedy 'bout land. I only want what jines mine," "Young America," he said in another speech, "is very anxious to fight for the liberation of enslaved nations and colonies, provided they always have land. As to those who have no land and would be glad of help, he considers they can wait a few hundred years longer." He once told of a congressman who had opposed the War of 1812 and come under heavy attack and who, when asked to oppose the Mexican War, exclaimed: "I opposed one war; that was enough for me. I am now perpetually in favor of war, pestilence, and famine." And he liked to tell people about the old loafer who said to him, "I feel patriotic," and when asked what he meant, cried, "Why, I feel like I want to kill somebody or steal something!"  A Toledo reporter who interviewed Lincoln at the time of the Lincoln-Douglas debates decided he was "a master of satire, which was at times as blunt as a meat-ax, and at others as keen as a razor." Once a senator came to the White House, furious about what he regarded as an unfair distribution of patronage, and he let loose a flood of profanity on Lincoln. When he had finished, Lincoln said calmly, "You are an Episcopalian, aren't you, Senator?" "Yes. sir, I belong to that church." "I thought so," said Lincoln. "You Episcopalians all swear alike. But [Secretary of War] Stanton is a Presbyterian. You ought to hear him swear!" Lincoln, who rarely used intemperate language, was frequently criticized for not being a church member, and he was doubtless amused at hearing profanity from the orthodox. 

Lincoln laughed at himself as well as at other people. When Senator Stephen A. Douglas called him a "two-faced man," Lincoln said: "I leave it to my audience. If I had another face, do you think I would wear this one?" He joked about his homely looks again when he spoke to a convention of newspaper editors in Bloomington, Illinois. Pointing out that he was not an editor and therefore felt out of place at the meeting, he said: "I feel like I once did when I met a woman riding on horseback in the woods. As I stopped to let her pass, she also stopped and looked at me intently and said, 'I do believe you are the ugliest man I ever saw,' Said I, 'Madam, you are probably right, but I can't help it.' 'No,' said she, 'you can't help it, but you might stay at home.' "Lincoln also enjoyed telling about the grouchy old Democrat who walked up to him and said. "They say you're a self-made man," and when Lincoln nodded, he snapped, "well, all I've got to say is that it was a damned bad job." 

Lincoln became known as "the National Joker," but he was far more than the Chief Joker of the land. As president, he showed himself to be shrewd, serious, selfless, dedicated, strong-willed, resourceful, compassionate, and extraordinarily magnanimous. The burdens he bore during the Civil War were far heavier than those of most American presidents, and he undertook his responsibilities with remarkable patience and determination. Though his critics could not always see it, he remained steadfastly true throughout the war to his basic objectives: restoration of the Union (which he regarded as a magnificent experiment in government of, by, and for the people) and the abolition of slavery (which he regarded as utterly incompatible with democracy). He was anxious to get the very best men, civilian and military, he could find to help him in realizing these objectives, and he did not mind if they personally held him in contempt. When someone told him that his secretary of war, Edwin Stanton, had called him a damned fool, he said lightly." If Stanton said I was a damned fool, then I must be one, for he is nearly always right and generally says what he means." Stanton came to hold Lincoln in high esteem. But others never did. They found it hard to understand that in pursuing his objectives—preserving the Union and emancipating the slaves- Lincoln had to proceed cautiously to avoid alienating the border slave states (and driving them to secession) and keep from offending Northern public opinion (which was by no means sympathetic to abolitionism at first). He also thought it important to synchronize his policies with progress on the battlefield (which came slowly at first) if he was to avoid making futile and perhaps even counterproductive gestures.

No president of the United States has been vilified [until #45] the way Lincoln was during the Civil War. He was attacked on all sides: by abolitionists, Negrophobes, state righters, strict constitutionalists, radicals, conservatives, armchair strategists, and by people who just did not like his looks or who resented his storytelling. From the day of his inauguration to the day of his assassination, the litany of invective was unrelenting. Among other things, Lincoln was called: an ape; a baboon; a buffoon; a low-level obscene clown; a usurper; a traitor; a tyrant; an old monster; the Great Apotheosis of the Great Hog; Fox Populi; a cross between a sand-hill crane and an Andalusian jackass; Abraham Africanus the First; a smutty joker; a third-rate country lawyer; an African gorilla; an abortion; an idiot; Simple Susan; the Abolition orangutan; the incompetent, ignorant, and desperate "Honest Abe"; a border-state eunuch; a narrow-minded bigot; an unprincipled demagogue; a driveling, idiotic, imbecilic creature; a third-rate district politician; a lunatic; a despot; a dangerous character; the ineffable despot; a blunderer; a charlatan; a temporizer; a man who jokes when the nation mourns; a crude, illiterate, bar-room willing; an unblushingly corrupt bully; and a half-witted usurper (a person who takes a position of power or importance illegally or by force). One New York newspaper regularly referred to him as "that hideous baboon at the other end of the avenue" and said that "Barnum should buy and exhibit him as a zoological curiosity." The Illinois State Register called him "the craftiest and most dishonest politician that ever disgraced an office in America." "Honest Abe, forsooth!" sneered one editor. "Honest Iago! Benignant Nero! Faithful Iscariot!" Even his hometown newspaper joined the chorus: "How the greatest butchers of antiquity sink into insignificance when their crimes are contrasted with those of Abraham Lincoln!" No wonder Lincoln said, when asked how it felt to be president, "You have heard about the man tarred and feathered and ridden out of town on a rail? A man in the crowd asked how he liked it, and his reply was that if it wasn't for the honor of the thing, he would much rather walk." But Lincoln was not thinking of the abuse heaped on him when he said this. He was thinking of the terrible loss of life on the battlefield and the heartbreakingly slow progress being made toward achieving his objectives. He had enjoyed politics immensely before he became president, and he had been eager, too, to hold the highest office in the land. But in the White House, he said, instead of glory, he found only "ashes and blood."

Humor lightened the cares of office for Lincoln. So did the theater. He had a special fondness for Shakespeare, and he experienced exquisite pleasure one evening at seeing the veteran actor, James Hackett, perform the role of Falstaff in a Washington theater. He was so delighted with the performance that he wrote a letter of congratulation afterward. Hackett flattered by the attention paid him by the president of the United States, turned the letter over to the New York Herald. For the Herald, Lincoln's letter provided another opportunity for ridicule, and the editor reprinted the letter and accompanied it with savage comments. Greatly embarrassed, Hackett wrote Lincoln to apologize. "Give yourself no uneasiness on the subject," Lincoln told him. "I certainly did not expect to see my note in print, yet I have not been much shocked by the comments upon it. They are a fair specimen of what has occurred to me through life. I have endured a great deal of ridicule, without much malice, and have received a great deal of kindness, not quite free from ridicule. I am used to it." For Lincoln, the pleasure of seeing Hackett do Falstaff far outweighed the pain of abuse from the Herald. But even this pleasure was short-lived. A little later, Hackett sought a government job, and when Lincoln was unable to give him one, he turned against the president and joined the ranks of the Lincoln-haters. 

Lincoln's love of Shakespeare grew out of his love of fine writing. As a young man, he read and reread the King James Bible, Aesop's Fables, Shakespeare, John Bunyan, Daniel Defoe, and Robert Burns. He worked hard to improve his own vocabulary, grammar, and lucidity of expression. By the time he became president, he had developed a distinguished prose style of his own: simple, clear, precise, forceful, rhythmical, poetic, and at times majestic. When Vicksburg surrendered in July 1863, and the Mississippi River was open again, he told the country: "The 'Father of Waters' again goes unvexed to the sea." It is hard to imagine any other president writing such a stunning sentence or penning such prose masterpieces as the Gettysburg Address (which even H.L. Mencken called "genuinely stupendous") and the First and Second Inaugural Addresses. Thomas Jefferson and Woodrow Wilson (and to a lesser degree John Adams and Theodore Roosevelt) possessed unusual literary skills, but at his best, Lincoln towered above them. He had a deep feeling for the right use of words, and he employed them lovingly both in his story-telling and in his letters and speeches. He was the only president ever to be called a "literary artist." Jacques Barzun, in fact, called him a "literary genius." "Nothing," wrote John Nicolay and John Hay, in their multi-volume biography of Lincoln (whom they knew, personally) appearing in 1894, "would have more amazed him while he lived than to hear himself called a man of letters, but this age has produced few greater writers." Ralph Waldo Emerson ranked Lincoln with Aesop in his lighter moods. Still, when it came to serious moments, he said this of the Civil War president: "The weight and penetration of many passages in his letters, messages, and speeches, hidden now by the very closeness of their application to the moment, are destined to a wide fame. What pregnant definitions, what unerring common-sense, what foresight, and on great occasions what lofty, and more than national, what human tone! His brief speech at Gettysburg will not easily be surpassed by words on any recorded occasion."

At Gettysburg on November 19, 1864. Edward Everett, famed for his oratory, spoke close to two hours, and Lincoln took up only a few minutes. Afterward, Everett took Lincoln's hand and said: "My speech will soon be forgotten; yours never will be. How gladly would I exchange my hundred pages for your twenty lines!" 

By Paul F. Boller, Jr.
Edited by Dr. Neil Gale, Ph.D.