Wednesday, December 14, 2016

The History of the SS Eastland Disaster in Chicago on July 24, 1915. 844 Dead. Very large photo album.

At 7:18 a.m. on July 24, 1915, the crew of the Great Lakes excursion steamer SS Eastland, known as the "Speed Queen of the Great Lakes," docked at the Clark Street Bridge on the south bank of the Chicago River with the bow facing east towards Lake Michigan, prepared for that morning's journey and hauled in its gangplank, forcing a tardy passenger to leap aboard from the wharf along the Chicago River.
Despite the cool, damp weather, 2,573 passengers and crew crowded aboard the Eastland, and the atmosphere was festive. The latecomer, E.W. Sladkey, headed to the promenade deck to join coworkers from the Western Electric Company's Hawthorne Works factory in Cicero.
The Eastland was one of five vessels chartered to carry Western Electric workers and their families on a day-long outing from downtown Chicago to a park 38 miles across Lake Michigan to the southeast. More than 7,000 tickets were sold.
Why old photographs' handwritten notations are reversed when printed.
Among those aboard the Eastland was George Sindelar, a Western Electric foreman, with his wife and five children. James Novotny, a company cabinetmaker, accompanied his wife and their two children. Anna Quinn, 22, and her neighbor and fellow Western Electric clerk Caroline Homolka, 16, had chosen their outfits carefully, for this was the social event of the year for many of the young workers—not only a rare Saturday break in the manufacturing and assembling telephone equipment, but also an opportunity to meet other eligible singles.

The Eastland was the first boat scheduled to leave, and employees had been encouraged to get there early. By a few minutes after 7 a.m., men, women, and children were boarding at 50 per minute, with two federal inspectors keeping careful count, per standard practice. The Eastland was licensed to carry 2,500 passengers plus crew. As a steady drizzle began to fall, many women, especially those with young children, took refuge below decks. In the main cabin, a band played for dancing; on the upper deck, passengers jostled to find seats or leaned against the railing, calling out to arriving friends.
As the Eastland filled with passengers between 7:10 and 7:15 a.m., it began to list to port, away from the wharf. The movement didn't alarm the partygoers, but it caught the attention of the harbormaster and some other observers on land. However, by the time Sladkey made his last-minute leap, the 275-foot-long boat had righted itself, if only briefly.
At 7:23, it listed even further to port. Water poured through the open gangways into the engine room. Realizing what was about to happen, the crew scrambled up a ladder to the main deck. 
At 7:28 a.m., the Eastland was listed to a 45-degree angle. The piano on the promenade deck rolled to the port wall, almost crushing two women; a refrigerator slid to port, pinning a woman or two beneath it. Water poured into open portholes in the cabins below deck. The most deadly shipwreck in Great Lakes history.
Few of the passengers boarding that day noticed that the Eastland carried a full complement of lifeboats, life rafts, and life preservers. It was in compliance with the law. And that created a severe hazard.

The 1912 sinking of the Titanic gave rise to a "lifeboats-for-all" movement among international marine safety officials. In the United States, Congress passed a bill requiring lifeboats to accommodate 75 percent of a vessel's passengers. In March of 1915, President Woodrow Wilson signed what became known as the LaFollette Seaman's Act.

During the debate over the bill, the Detroit & Cleveland Navigation Company general manager had warned that some Great Lakes vessels, with their shallow drafts, "would turn 'turtle' if you attempted to navigate them with this additional weight on the upper decks." Too few legislators listened.  

By July of 1915, the Eastland, which had been designed to carry six lifeboats, was carrying 11 lifeboats, 37 life rafts (about 1,100 pounds each), and enough life jackets (about six pounds apiece) for all 2,570 passengers and crew. Most were stowed on the upper decks. No tests were conducted to determine how the additional weight affected the boat's stability—even though it already had a troubled history.

The Eastland was built in 1902 to carry 500 people for lake excursions and to haul produce on the return trips to Chicago. The boat had no keel, was top-heavy, and relied on poorly designed ballast tanks in the hold to keep it upright. Repeated modifications increased the vessel's speed and passenger capacity—and made it less stable.

"It was said of her that she behaved like a bicycle, being unstable when loading or unloading but stable when underway," wrote transportation historian and economist George W. Hilton, whose 1995 book, Eastland: Legacy of the Titanic, provides a meticulous investigation. Safety inspectors focused only on the Eastland's performance while underway and the boat routinely was certified as safe.

In July 1904, the boat nearly capsized with 3,000 people aboard. Two years later, it listed heavily with 2,530 passengers on board. The Eastland soon developed a reputation as unsafe, a "hoodoo boat" in the slang of the day. "The passengers appeared to recognize the potential dangers of the ship better than the management or the inspectors did," Hilton wrote.

Indeed, an official of the St. Joseph-Chicago Steamship Company, which bought the Eastland for $150,000 in 1914, testified at a coroner's inquest a few days after the accident, "I didn't know much about the boat except that we got it at a bargain. All I do is sign blank checks."

Critical to a boat's stability is what is known as its metacentric height. Floating objects are like an upside-down pendulum, with a center of gravity and the ability to roll, or heel, to either side before righting themselves. Its metacentric height is the distance between fully upright and the maximum heel—the point beyond which it will capsize.

Referring to the Eastland, Hilton wrote: "For such a ship, where the distribution of passengers was highly variable, normal practice would have been to provide a metacentric height of two to four feet, fully loaded."

Changes made to the Eastland before July 24 had reduced its metacentric height to four inches.

Within two minutes after it listed 45 degrees to port, it rolled over, as reporter Carl Sandburg wrote for the International Socialist Review, "like a dead jungle monster shot through the heart."

By 7:30 a.m., the Eastland was lying on its side in 20 feet of murky water, still tied to the dock. The vessel rolled so quickly that there was no time to launch the lifesaving equipment. As the boat settled on its side, many passengers simply climbed over the starboard railing and walked safely across the exposed hull, never even getting their feet wet. Sladkey was one of them. So was the Eastland's captain, Harry Pedersen. 

They were among the lucky ones.
"When the boat toppled on its side, those on the upper deck were hurled off like so many ants being brushed from a table," wrote Harlan Babcock, a reporter for the Chicago Herald. "In an instant, the river's surface was black with struggling, crying, frightened, drowning humanity. Wee infants floated about like corks."

About 10,000 people were milling about the riverfront that day—grocery and poultry merchants, customers, and Western Electric workers waiting to board other ships. Horrified onlookers raced to the rescue, some jumping into the river. (According to one account, a man contemplating suicide at the river's edge jumped in and began saving lives.) Others threw whatever they could grab to provide flotation for those struggling in the water, including boards, ladders and wooden chicken crates.
Some crates struck passengers in the water, knocking them out and putting them under. Parents clutched children and disappeared together beneath the brown water—or lost their grip and watched their children sink out of sight. "God, the screaming was terrible; it's ringing in my ears yet," a warehouse worker told a reporter.
On her way to the outing, Helen Repa, a Western Electric nurse, heard the screaming from blocks away. The trolley she was riding in came to a halt in traffic. When a mounted policeman told her an excursion boat had overturned, Repa assumed it was one of the boats chartered for the picnic. Dressed in her nurse's uniform, she hopped onto the rear step of a passing ambulance. "People were struggling in the water, clustered so thickly that they covered the surface of the river," she would recall. "The screaming was the most horrible of all."
When she arrived at the riverfront, Repa scrambled onto the Eastland's hull and saw passengers being hauled out of the river and others being dragged through portholes. Many were cut and bleeding. The injured were taken to a nearby hospital, which quickly was overwhelmed. Repa directed a hospital employee to telephone Marshall Field & Company, the department store, for 500 blankets. Then she called restaurants and asked for hot soup and coffee delivered to the hospital.

Repa sent the less injured home as survivors made it to the dock. "I would simply go out into the street, stop the first automobile that came along, load it up with people, and tell the owner or driver where to take them," she later wrote. "And not one driver said no."
By 8 a.m., almost all survivors had been pulled from the river. Then came the gruesome task of locating and removing bodies.

"The crowding and confusion were terrible," Repa wrote. Rescuers, emergency personnel, and curious onlookers flocked to the scene. By noon, divers and rescue workers finally reached bodies trapped underwater in the port-side cabins. "After that time, all the bodies that came up seemed to be women and children," Repa recalled.
Seven priests arrived to hear confessions or administer the last rites. "There was little work for them," one reporter wrote. "The results of the Eastland's somersault could be phrased in two words—living or dead."

Stretcher-bearers traversed the hull as bodies were lifted out. "I wondered dully why they waited for stretchers at all," wrote Gretchen Krohn in the New York Times. "All the bodies carried past were so rigid that poles to carry them by seemed superfluous, and the pitiful shortness of most of them." Sometimes, she continued, "they had to put two bodies on the same stretcher. Death had so tightened that final parting embrace." Because of a shortage of ambulances, American Express Company trucks were enlisted to transport bodies.
As news of the disaster spread rapidly through the city, families of Western Electric workers now feared the worst. Young Blanche Homolka and Alice Quinn, whose older sisters had left early that morning in high spirits, waited for hours at a streetcar stop, watching as passengers disembarked, their clothing muddy and disheveled. They waited in vain; Caroline Homolka and Anna Quinn were among the dead.

As the casualties mounted, the nearby Second Regiment Armory was converted to a morgue. Corpses were placed in rows of 85 as the identification process began. Just before midnight, the public was admitted, 20 at a time, to look for family members. The morbidly curious elbowed their way in, along with some thieves who stole jewelry from the bodies.
When Chicagoans awoke on Sunday, the magnitude of the disaster was nowhere more apparent than in the close-knit Polish, Czech and Hungarian communities near the Hawthorne Works in Cicero. The house was draped in black crepe, and families sat in mourning.

Just 10 weeks earlier, the Lusitania had been torpedoed and sunk, with a death toll of 785 passengers. In 1912, 829 passengers died aboard the Titanic (plus 694 crew members). Both of those disasters took place on the high seas.

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After the Eastland rolled, 844 passengers died on a sluggish urban river 20 feet from the dock. Seventy percent of them were under the age of 25.

An estimated 500,000 people arrived to view the disaster scene, crowding onto bridges and the river's edge. Boat owners charged 10 or 15 cents to ferry the curious past. Newspapers around the country gave the story front-page coverage for days.

On Wednesday, July 28, Chicago was a city of funerals. So many were scheduled that there were not enough hearses, and Marshall Field & Company provided 39 trucks. Fifty-two gravediggers, working 12 hours daily, couldn't meet the demand. Nearly 150 graves had to be dug at the Bohemian National Cemetery alone. By day's end, almost 700 Eastland victims had been buried.

Among them were the seven members of the Sindelar family: George, the Western Electric foreman; his wife, Josephine, and their five children, ages 3 to 15. Their white caskets arrived at the service stacked precariously on the back of a Model T Ford.

By July 29, all the bodies lying in the armory morgue had been claimed except one, a boy identified only as Number 396, who was nicknamed "Little Feller" by police and morgue workers. The body was taken to a funeral home, where two children recognized him as their friend Willie Novotny, age 7. He had lain unclaimed because his parents—James, the cabinetmaker, and his mother, Agnes, had died on the Eastland along with his 9-year-old sister, Mamie.

When she took the authorities a new pair of brown knickerbockers, Novotny's grandmother confirmed the identification. "If it's Willie, he's got pants like these," she said. "It was a new suit he went to the picnic in, and two pairs of pants came with it. These are the others."

"'Little Feller' now has a name," reported the Chicago Daily Tribune.

When the Novotnys were buried on July 31, more than 5,000 people attended. The funeral procession stretched more than a mile.

Affixing blame for the accident began immediately. Eastland Captain Harry Pedersen, chief engineer Joseph Erickson and other crewmembers were taken into custody on Saturday to protect them from the angry crowd that had gathered at the scene.

Within three days of the accident, seven inquiries were underway. Cook County officials asserted their jurisdiction immediately. After interviewing witnesses and crewmembers, County Attorney Maclay Hoyne told reporters: "The United States [Steamboat] Inspection Service is directly responsible for this disaster. Now is the time to inspect the inspectors. Chicago... should demand that and nothing else."

U.S. Commerce Secretary William C. Redfield, dispatched to Chicago by President Wilson, seized the Eastland, enlisting the help of U.S. District Judge (and future major-league baseball commissioner) Kenesaw Mountain Landis, in whose courtroom federal proceedings would be heard.

Despite the haste, it would take 24 years to conclude litigation related to the Eastland disaster.
In the end, blame was pinned largely on Erickson, the chief engineer, for mismanaging the ballast tanks in the hold to the right of the Eastland before it capsized. Erickson, who initially was represented by Clarence Darrow, died as the proceedings dragged on. That made him—in the view of Hilton, the historian who analyzed thousands of pages of maritime and legal documents about the Eastland disaster—a convenient fall guy.

Although evidence strongly suggested that Pedersen had been negligent, he was not prosecuted. Nor were officers of the steamship company. All criminal charges were dropped, and the owners avoided any legal finding of negligence.

The blame, Hilton concluded, rested in a poorly designed boat that had been rendered top-heavy due to the post-Titanic safety measures.

Civil lawsuits to resolve over 800 wrongful-death claims dragged on for two decades. Maritime law limited liability to the value of the Eastland, set at $46,000. Legal suits were filed by the salvage company hired to tow the vessel from the accident scene, and the coal company that supplied fuel took precedence. In the end, victims and families received little or nothing.

Ted Wachholz, president of the Eastland Disaster Historical Society, has a theory on why the Eastland looms so much smaller in the American memory than the Titanic or the Lusitania: "There wasn't anyone rich or famous on board," said Wachholz. "It was all hardworking, salt-of-the-earth immigrant families."

Compiled by Dr. Neil Gale, Ph.D.











































































END OF PHOTO ALBUM

Tuesday, December 13, 2016

Ray Rayner, a Staple of Chicago Children's Television in the 1960s & 70s. (1919-2004)

Ray Rayner was born Raymond M. Rahner on July 23, 1919, in Queens, New York.

In 1942, Rahner (pronounced "Rayner") enlisted in the U.S. Army Air Corps and trained as a navigator on B-17s. Promoted Second Lieutenant, he was assigned to the 422nd Bombardment Squadron, 305th Bombardment Group (Heavy), deploying to England and 8th Air Force in September 1942. Rahner quickly developed a reputation for superior airmanship.

On March 8, 1943, Rahner was assigned to a crew different from his own, with Lt. Albert Kuehl as a pilot and Lt. Floyd Truesdell as a copilot. Truesdell was on his first B-17 mission after transferring to the USAAF from Royal Air Force Coastal Command and would die at the controls of his B-17F 42-5376 JJ-X "Eager Eagle" in a mid-air collision with RAF No. 96 Squadron Bristol Beaufighter V8715 on August 31, 1943.

Sixty-seven B-17s attacked the railway yards at Rennes, including 16 from the 305th Bombardment Group. The formation was attacked by German fighters en route to the target. Kuehl's aircraft, with Rahner navigating, bore the brunt of enemy attacks: the No. 3 engine was destroyed, and the airplane's radio compartment, hydraulics, and control systems were all damaged. Every member of the crew was wounded -- particularly the bombardier, Lt. Arthur Spatz of Reno, Nevada. Though he was himself wounded, Lt. Rahner administered first aid, saving Spatz's life, then took over as Bombardier, toggling the bombs and fighting off German fighter attacks from two gun positions. Though the B-17 dropped out of formation, Rahner successfully navigated it to an RAF base in England. He was awarded the Distinguished Service Cross for that action.

On April 4, 1943, Rahner was a navigator in "Chuck Wagon," B-17F #42-5146 (code JJ-S). In a raid on the Renault automotive works near Paris, Rahner's aircraft was shot down, crashing in Normandy, and Rahner was taken prisoner. After being processed through Stalag VII A (Moosburg), he was imprisoned at Stalag Luft III for 2½ years. There he helped edit the camp newspaper, "The Circuit," and contributed to the digging of tunnels Tom, Dick, and Harry, serving as a lookout for German "ferrets" and helping disperse the dirt; as depicted in the film The Great Escape—though he was transferred to another camp before the escape took place.  (Written by Russ Burgos)

During his time as a POW, he would discover his talent for entertaining, namely through his fellow prisoners and his German captors.

RAY RAYNER'S FIRST TELEVISION GIGS
Ray Rayner's "Rayner Shine" (Rain or Shine) was a short-lived weather program on WBKB, which later became WLS-TV in Chicago.

"The Ray Rayner Show" started in 1953; he and his co-host Mina Kolb would host a free-form show featuring music, comedy skits, dance, and pantomime. The show was geared toward teens. The show had a call-in Guess the Song Game to win a prize. It ran for five years on Saturdays until 1958. 

In 1956, Rayner hosted the TV Bowling Classic on Wednesdays at 11 PM on WBBM-TV Channel 2. He also hosted Teen Pinners, a bowling program with teen bowlers produced for the teenage crowd.

WBBM-TV asked Rayner to switch to a children's program in 1958; though initially reluctant, he did so with a show called "The Little People," which ran for two years.

The "Popeye's Firehouse" children's show featured Ray Rayner, whom WBBM-TV executives hoped would make a dent in the ratings, who worked on the show for two years. On Popeye's Firehouse, Rayner appeared as "Chief Abernathy." John Coughlan's voice was heard in the show, too. Dave Garroway, famous for his show "Garroway At Large (1949-1954)," had anchored the station's early attempts on a program called "Rayner Shine," starring Ray Rayner as host. 
Ray Rayner hosts a TV show called "Popeye's Firehouse."
on Chicago's channel 5, WNBQ.
Ray Rayner would move on to WGN-TV in 1961. Rayner's first role on WGN was as Sergeant Pettibone, the host of the afternoon "The Dick Tracy Show" in 1961. Here, Rayner sported a 2-way wrist radio like Tracy's, through which he would pretend to hear the call "Tracy...this is the Chief...," and the Chief would describe the latest trouble caused by Pruneface, etc., which would be the cue to roll a Dick Tracy cartoon.
Ray Rayner, as Sgt. Pettibone was the host of the Dick Tracy Show with Police Dog Tracer on WGN-TV.
Among other low-budget Rayner's morning show feature was "Let's Go into the Closet," where he would find a marching band jacket and baton (no doubt borrowed from the Big Top Band on Bozo) and proceed to march around the set to some corny tune. Then, there were the traffic reports, which were an attempt to keep parents from switching to the news on another channel. The reports were dubbed over a b/w aerial video of the expressways  the same video was shown daily.

He joined the cast of Bozo's Circus as a country bumpkin clown "Oliver O. Oliver" who had a talent for singing. Bozo and Oliver sang songs like 'A Clown Is a Kind of a Guy. 

Rayner hosted the Laurel & Hardy Theater in the summer of 1963. Before each film and during the commercial breaks, he provided biographical information about Stan and Ollie. The Laurel & Hardy Theater later became the Ray Rayner Theater, showcasing WGN's library of classic comedy movies.
 
By 1965, Rayner's clown character and "Sandy," played by Don Sandburg, were added to Larry Harmon's Bozo coloring books. Rayner left the show in 1971 because he wanted more time for other projects. After that, he would occasionally appear on the show as Oliver and fill in for Ned Locke as "Mr. Ray" when needed. 
Ray Rayner as Oliver O. Oliver on the right. Ringmaster Ned Locke is on the left, and Bob Bell as Bozo the Clown is in the center during the WGN-TV-produced show "Bozo's Circus." (1967)
Ray Rayner as Oliver O. Oliver on Bozo's Circus in 1967. Note Bozo's early red suit.
A new afternoon program called "Rocket to Adventure" ran until 1968; this featured early appearances by Gigantor and Tobor the Eighth Man. Rayner hosted the show as an astronaut on a spaceship, introducing space adventure cartoons. 
Rocket to Adventure.
In 1968, Rayner also appeared in television commercials for McDonald's as Ronald McDonald.
Ray Rayner was the first.
NATIONAL “SPEAKING” TV Ronald McDonald.
1968-69.
1968 McDonald's Commercial
Featuring Ray Rayner.

At one point, WGN-TV had enough hope in being able to syndicate Rayner's "The Dick Tracy Show" to produce a pilot for that purpose.

RAY RAYNER AND HIS FRIENDS
Chelveston the Duck.
Beginning in 1962, Rayner hosted the show "Breakfast With Bugs Bunny," which was an early morning weekday show that first starred Dick Coughlan and was produced by Don Sandburg.

When Coughlan left, Ray Rayner recently arrived from WBBM-TV and working afternoons as "Oliver O. Oliver" on Bozo's Circus, and "Sgt. Henry Pettibone"  in the "Crime Stopper Cruiser" on "The Dick Tracy Show" took over. This made Rayner one of the busiest and highest-paid talents on Channel 9. It became "Ray Rayner and His Friends" in 1964.  

At the time, a show director suggested that Rayner wear a jumpsuit because they were only $5 at Sears. On his first show, Ray wore a brown jumpsuit. But it needed something, so Sandburg suggested using notes stuck to the jumpsuit, and the rest is history. He covered his jumpsuit with little squares of paper (this predates Post-it Notes), and during the show, he would pull them off, one at a time, and read them out loud to see what to do next (time for a cartoon, traffic report, visit with Cuddly Dudley, etc.).
"Ray Rayner and His Friends" featured old cartoons such as various Warner Brothers character cartoons, arts-and-crafts, and animals such as Chelveston, the Duck, named after RAF Chelveston, where Rayner was stationed during World War II. Chelveston would occasionally bite, and Rayner was notably wary. During these segments, Chelveston would walk around the set, eat, or bathe while a then-current top 40 song was played. Rayner later said he put duck feed in the cuffs of his coveralls so Chelveston would nip at them, then save himself from the duck by giving him a head of lettuce to pick apart. What was not known to the public until after the program was no longer on the air was that Chelveston was actually played by four different ducks over the years.
Left to Right; Clod Hopper (1972-1973), Cooky (1968–1994), Ray Rayner (Oliver O. Oliver 1961–1971), and Bozo. Ray Rayner was still helping out Bozo's Circus after his character ended in 1972.


Every little girl's birthday wish was to get their own Cuddly Dudley.
Ray also had a talking dog puppet, Cuddly Dudley, created and voiced by Roy Brown, aka "Cooky the Cook" from Bozo Circus. The segment would highlight viewer mail, including many hand-drawn pictures submitted by children. The segment was often humorous, allowing Rayner and Brown to interact and use comedic ad-libs. 
NOTE: The dog house has misspelled Cuddly Dudley as "Cuddley."
Rayner's turtle races were epic. Three turtles, painted numbers on their shells, were placed in the center of a tabletop with perhaps a 3-foot circumference circle with a finish line painted at the circle's edge. Rayner would try to entice the turtles to run to the finish line by cheering them on. 

The seemingly impromptu nature of Ray Rayner's show was fascinating to children.

He would also simulcast traffic reports from sister-station WGN Radio over stock footage of traffic moving along the Chicago-area highways.

Cubs-Sox, half & half, baseball
helmet from May 6, 1980.
During baseball season, he would show & narrate highlights of the Cubs and White Sox games from the previous day, wearing a custom baseball helmet that had the front half of the Cubs and the front half of the Sox, resulting in a two-billed helmet, which he would spin around on his head depending on which team's highlights were being shown.

The arts-and-crafts was a regular segment that always began with a finished version prepared in advance by someone "behind the scenes" (who quite often was the wife of Producer Dick Flanders) that was displayed to the audience, followed by Ray attempting to demonstrate the process in an amusing, all thumbs effort, also set to music, that resulted in a comically sub-par facsimile that more resembled a random collection of felt, construction paper and glue. Ray's version would be displayed alongside the original, emphasizing his comical ineptness regarding crafts. 
He held an annual jellybean contest where viewers were to submit guesses of the quantity in a large jar displayed for some time on the show. He would have an Advent calendar every Christmas and reveal the number of days until Christmas.
Another bit was a lip-syncing sketch Rayner would usually do to an older novelty song such as "Hello Muddah, Hello Fadduh" by Allan Sherman. However, he would also perform songs while actually singing.

Another show segment was the PBS news (for Pretend Broadcasting System). He would sit at a table with a wire strainer with the letters PBS on it as a microphone. The "news" reports consisted of viewer letters. In addition to Diver Dan and lots of Warner Brothers cartoons, another staple of the show was a live-action "talking animal" series "Rupert the Rat, Kookie the Kitten, and Bessie the Bunny, down on the Animal Farm.

The feature "Ark in the Park" was a taped segment of a trip to the Lincoln Park Zoo featuring the then-director of the zoo, Dr. Lester Fisher. The introductory music for this segment was "The Unicorn" by The Irish Rovers
Rayner also featured a "How and Why" segment on his shows with J. Bruce Mitchell of Chicago's Museum of Science and Industry, as did Garfield Goose and Friends. 

Rayner added the game "TV POWWW!" where those at home could play a video game by phone. Rayner hosted this show until January 23, 1981. How did this work?[1]

At the end of each show, A friendly reminder to dress appropriately for the weather, and - last but not least - at the end of every show, the outstretched arm, with the open hand and his fingers wiggling wildly;

"
BU-BU-BU-BU-BYYYYYYYYYYYYYYE!!!"


OTHER TV JOBS
During his time at Channel 9, starting in 1974, Rayner hosted a Thursday night broadcast of The Illinois State Lottery. 
It was a weekly drawing featuring a top prize of $300,000 ("Weekly Bonanza") and the second prize of $50,000 to a field of about a dozen contestants who had won a unique lottery game over the preceding seven days. The show aired at 7:00 PM.
Chicago, July 3, 1975 - Picking up the Winnings. Chicago television personality Ray Rayner congratulates Chicago Policeman Michael Berchel, whose mother, Grace Berchel, from Chicago, won a $50,000 prize in the Illinois Lottery drawing Thursday night in Chicago.
LIVE PERFORMANCES

 
Ray Rayner in the Elmhurst Illinois 4th of July Parade.
RAY'S BOOK
The Story of Television. 1972

RAY RAYNER AND I TALKED FOR MORE THAN 2 HOURS
I met Mel Thillens at his business office of the "Thillens Armored Car Check Cashing Company" on Devon Avenue, just east of Western Avenue. I just walked in and asked to speak with Mr. Thillens in the spring of 1968; I was 8 years old. Mel Thillins stepped out of his office to greet me. He took me into his office. 

I asked him if I could work at Thillens Stadium for the season. Mel asked me a few questions to determine my interest in working at the Stadium. Mel gave me a day and time to meet him at the stadium. He introduced me to the staff, telling them that I'd be helping them out.

I was allowed to attend any and all games I wanted to for free. When working, I was allowed to eat, drink, and snack for free. As a matter of fact, I don't remember there being any limit to food and drink. Sounds good. Although I didn't get any money, I met some local celebrities, like Ray Rayner, Eddie Feigner and his team, the King and his Court, the Queen and her Court, the Donkey Baseball teams, etc.

I met Ray Rayner at Thillens Stadium in 1968. Ray was on a WGN 16" softball team playing the Playboy Bunnies. The evening game was for a charity. It was standing room only. 

If you know anything about Thillens Stadium, one kid worked the manual scoreboard, placing the number of runs per inning and a total runs count. The Strikes, Balls, and Outs scoreboard lights were worked from an elevated platform, with the game announcer from behind the home plate. I worked the strikes and outs from the announcer's booth.

Ray sat in the announcer's booth when the WGN vs.Playboy Bunnies game ended. We talked for quite some time. Ray told me he would speak of the charity softball game on his show on Monday. I jokingly mentioned that I never heard my name called on the Romper Room Show. Rayner told me he'd tell me on his TV show the next day, and I could count on him. 

Sure enough... Ray talked about the charity softball game and how much money was raised, and then he said he met a great kid who worked at Thillens Stadium, Dr. Neil Gale. I was floored. It's too bad there were no recording devices to capture that, but it's one of my life's "claim to fame" moments.

Mel Thillens had my name put up on the sign that same day. I couldn't believe it when Mel gave me the picture he had taken the following day. I'm Facebook friends with two of Mel's daughters.
THE URBAN MYTH OF RAY RAYNER BEING A DRUNKARD - BUSTED!
I watched Ray Rayner test his blood sugar after the softball game mentioned above while sitting next to me in the announcer's booth at Thillens Stadium in 1968. You don't do that unless you're diabetic, so getting drunk EVERY night is just ridiculous. It also besmirches his reputation.

THE END
Rayner moved to KGGM-TV in the 1980s, the CBS affiliate in Albuquerque, New Mexico, before retiring from television. He cited the harsh Chicago winters as the motivating factor. Later, he moved to Fort Lauderdale, Florida, after his wife of several years died of lung cancer.

He died on January 21, 2004, of complications from pneumonia in Fort Myers, Florida, at the age of 84. He was survived by his daughter Christina Miller, his son Mark Rahner, and his grandchildren Patrick, Sean, Hilary Miller, and Troy Rahner. 

MORE RAY RAYNER IMAGES.
 

Compiled by Dr. Neil Gale, Ph.D.


[1] TV Powww was a franchised television game show format in which home viewers controlled a video game via telephone in hopes of winning prizes.

Bozo's TV Powww game.

The TV POWWW format, produced and distributed by Florida syndicator Marvin Kempner, debuted in 1978 on Los Angeles station KABC-TV as part of A.M. Los Angeles, and by the start of the next decade, was seen on 79 local television stations (including national superstation WGN as part of Bozo's Circus) in the United States, as well as several foreign broadcasters. While most stations had dropped TV POWWW by the mid-1980s, stations in Australia and Italy still used it as late as 1990.

Stations were initially supplied with games for the Fairchild Channel F console, but Intellivision games were used following Fairchild's withdrawal from the home video game market. Kempner later unsuccessfully attempted to interest both Nintendo and Sega in a TV POWWW revival.

While the underlying technology was standardized across participating stations, TV POWWW's presentation format varied from market to market. Many presented TV POWWW as a series of segments that ran during the commercial breaks of television programming (a la Dialing for Dollars). In contrast, some (such as KTTV in Los Angeles) presented TV POWWW as a standalone program.

Gameplay
In the featured video game, the at-home player would give directions over the phone while watching the game on their home screen. When the viewer determined that the weapon was aiming at the target, they said, "Pow!!!" after which that weapon would activate.

Accounts vary as to what kind of controller technology was involved. Some sources state that the gaming consoles sent to the stations were modified for voice activation. However, a 2008 WPIX station retrospective claimed that for the station's version, where the player said: "Pix" (Pron: picks), an employee in the control room manually hit the fire button when the caller indicated a shot.

One of the pitfalls of the gameplay was that, due to broadcasting technicalities, there needed to be a significant lag in transmitting a television signal. The player would experience this lag when playing at home, which likely made playing the game somewhat more complex. (For similar reasons, such a game would be impossible in digital television without the use of a second video chat feed for the player due to the time it takes to process and compress the video stream; most stations also mandate a seven-second delay to prevent obscenities from reaching the air.)