Thursday, December 29, 2016

Forum Cafeteria (1911-1973) at 64 W. Madison St. was the Biggest Restaurant in Chicago, Illinois.

After World War II, Chicago's Forum cafeteria served every day appetites hungry for prosperity.
DON'T MISS THE ARTICLE "3 FIREMAN KILLED, 24 INJURED IN CHICAGO FIRE" AT
 THE END OF THIS STORY.

Perhaps some malevolent god passed a death sentence on the Forum Cafeteria long before it went up in flames, January 6, 1973. Three firefighters lost their lives—and 28 others were injured—when the roof of the Forum Cafeteria on West Madison Street collapsed during a fire.

The old building on Madison Street with the double serving line, the mirrors, murals, and wide overhead lights was, more than anything else, the symbol of an era, a petrified relic that stood its ground for 15 years while the people who used to frequent it gradually disappeared.
Forum diners line up two-by-two for the noon-hour rush on Madison Street. Not the most elegant eatery in post-WWII Chicago, the Forum was nevertheless a landmark on the culinary landscape until it was destroyed by fire in 1973.
Few remembered, in the end, that the Forum was once the biggest restaurant in Chicago and that in its heyday it dominated Madison Street. Conceived in the last year of the Depression, it reached maturity in the '40s and '50s, declined in the '60s, and died in the '70s of an inexplicable midnight fire and premature old age.
The Forum had tropical murals on the wall, a mezzanine level,
and served 11,000 meals in a fifteen-hour day.
I got to know the Forum in the late 1950s because I would go there with my grandfather. He ate there regularly and found it difficult to understand why anyone would want to eat anyplace else. Since he regarded restaurants and cafeterias as primary places to eat, the fact that the Forum offered good food at low prices tended to compensate in his mind for the fact that it offered very little else and, he even grew attached to the second-floor mezzanine where people sat twelve to a table in an open hall that afforded the intimacy of the waiting room at Union Station.

The Forum in the 1950s was a vast, noisy, friendly, and by the standard of Loop restaurants, exceedingly Spartan. The lines formed at 6 a.m. when the doors of the cafeteria opened and they often didn't let up until the closing time at 9 p.m. At peak periods, lines extended in both directions down Madison Street, with one line going all the way to the corner of Madison and Clark, the other stretching well past the Today theatre, which then showed newsreels. Only Elvis Presley could draw that kind of crowd in the Loop of the 1950s and, although the Forum was not the most elegant eatery in Chicago, it was probably the best known.
The Forum attracted people from every walk of life. In its long lines, LaSalle Street lawyers talked with politicians, secretaries with servicemen, conventioneers with pensioners, and Skid Row derelicts socialized with churchgoers who had just gotten out of Mass.

In the hall of the restaurant itself, patrons moved through a glass-enclosed corridor that led to the base of the double serving line. There they took their trays and carefully wrapped silverware and moved into one of the two identical cafeteria lines, past rows of salad and Jello by the vegetables, including such country favorites as squash and greens, past the selection of seven or eight main courses and the array of puddings, cakes, and pies, then stopped at the cashier, who would add everything up and present them with a bill.
From the second-floor balcony, customers seemed like parts on an assembly line as they entered the serving area through the glass-enclosed corridor. If anything it resembled a grand hall. Stained glass murals were set at intervals in the cafeteria's green Vitrolite (Vitrolite was an opaque pigmented glass used as tiles) wall, and were reflected in the mirrors on the opposite side.

The painstakingly arranged murals, which were mosaics made of colored glass, depicted women harvesting tea in Ceylon, people hacking down stalks of bananas in the West Indies, and natives gathering coconuts in the South Sea Islands. They suggested material prosperity and the view, borne of the Depression, that abundance would cure all ills. The men standing patiently in line beneath them seemed to be waiting, not just for food but what they considered to be social due, a generous share of well-earned prosperity.

As it happened, this notion was not far from the mind of C. M. Hayman, who founded the Forum. He chose the name because it reminded him of "For-'em," i.e., for the everyday man in the street. Hayman started his career as a cook and bottle washer in Kansas City in the 1890s and got his first break when he managed to scrape together a meal of hot biscuits and mince pie for Col. William R. Nelson, the founder of the Kansas City Star. Nelson was impressed by the young man's ingenuity ─ and his cooking ─ and decided to make Hayman his assistant butler.

Nelson also taught him what he needed to know in order to open a restaurant on his own, which Hayman did in 1911. In 1927, he established the first permanent Forum cafeteria in Kansas City, and the Chicago cafeteria was opened 12 years later, in 1939.

Perhaps it was optimism that led Hayman to open the Loop Forum because the Depression was still going on in the summer of '39, and there was no guarantee the new cafeteria could be a success. It also involved an enormous initial investment because it was intended to be a showplace from the start. In addition to the murals and wall of mirrors, there was etched glass in a three-foot-wide strip down the center of the ceiling between the overhead lights and along the corridor leading to the serving lines, and there was also expensive crockery and genuine silver. The day the cafeteria opened there were displays of flowers along the balcony and telegrams of encouragement from well-wishers. And, as luck would have it, the Forum made good on Hayman's investment by becoming an overnight success.

The former assistant manager of the Forum, George Havlik, recalled that the long lines began forming almost immediately and there were still people eating at the Forum in the early 1970s who could remember what it was like on that first hectic afternoon. As the Depression ended and the country went to war, the cafeteria's combination of good, inexpensive food and hospitable surroundings suited the city's mood and the crowds continued to grow. By the end of the war, with thousands of demobilized servicemen coming back to Chicago, the Forum had established itself as a Loop landmark and by far the biggest eating place in town. Streams of customers filled its tables and with the arrival of each new convention, the cafeteria seemed to fill to even greater capacity until in the summer of 1948, during a Shriner's convention, the Forum set its own record by serving over 12,000 meals for each of three consecutive days. Havlik recalled that during that week the cafeteria was so choked with people, customers with trays in hand had to wait for ten or even fifteen minutes to find an available seat. In the July heat, lines stretched around the block and there was virtually no letup in the crowds from 6 o'clock in the morning to well past ten o'clock at night.

In many ways, the Forum reigned as queen of the post-war Loop. No restaurant was bigger and few could attract quite the variety of people who would turn up in its long cafeteria lines. It was located midway between the shopping area on State St. and the office buildings on LaSalle, directly across from the old Morrison Hotel, the former headquarters of the Chicago Democratic Party and in the heart of the old entertainment district.

A graying bartender, who in his younger days sold advertising space for an entertainment magazine called "This Week in Chicago," recalled that in the 1940s and early 1950s in the area around the Forum there were bars almost every ten feet and every little place had its own dance band and entertainment. People used to come downtown to listen to jazz or shoot dice, drink or see a show, go bowling or just walk. Because the Forum was both inexpensive and in the middle of all of the activity, it was a natural place to have dinner on a Saturday night and young couples, often in evening dress, used to eat there before going out on the town.

There was little tension then and not much sophistication either. Conventioneers in the area used to drop paper bags full of water on passer-by and pull off other endearing stunts that would earn them a few broken heads if they tried them today. Still, the shenanigans had no harmful effect on the Forum, which continued to draw crowds of customers day and night, averaging as many as 11,000 in a 15-hour period when the Loop was busy and the weather was good. The cafeteria became a kind of a tradition for many people, including my grandfather, who went there every day at exactly the same time. Gradually, Forum patrons became accustomed to a regular cast of characters, many of whom prove difficult to forget.

There was "the duchess," so named for her slightly imperial manner and the fact that she dressed in gay '90s fashion with a long dress, a flowered hat, a long fur around her neck, and a face covered with powder and rouge. She had once been an actress but when she stood in line or sat at one of the Forum's communal tables she managed to keep very much to herself. She was noticed for the style and color of her clothes ─ she favored purples and reds ─ and because she came into the Forum almost every afternoon at exactly the same time. But one afternoon in the early 1960s she stopped coming and was never seen again.

Another Forum regular was an elderly city employee who came in for breakfast and paid for his meal out of a wallet that struck cashiers as unusually thick. Since the Forum was a busy place, no one paid much attention to him or his wallet until the day he made the front pages of all four Chicago papers. It seems he had never trusted banks and had been carrying over $30,000 in cash in his wallet every day for years until he lost the wallet one morning while inspecting a city street repair crew.

Apparently, a passer-by found the wallet and began spending its contents. This aroused the suspicions of his friends who reported him to the police. The wallet was recovered and its original owner returned to the Forum breakfast line until he too, just one day ceased to appear.

There were others too; an eighty-year-old woman who wore several diamond rings and was escorted by her 40-year-old boyfriend, a Frenchwoman who sang in the line, and even a Shriner who was dressed in full Regalia and almost ejected ─ a difficult thing to arrange ─ by letting out full-throated hog calls in the middle of a crowded lunch hour.

The most distinctive feature of the Forum and in the end the thing that was most appealing about it was the fact that although it was designed to handle great numbers of people, the Forum still managed to conceive of each of its customers as an individual worthy of a modicum of respect.

The food, for example, was good. Sides of beef were purchased according to exacting specifications and the cutting of steaks was done on the premises. The Forum prepared its own puddings, donuts, and pies; the dressings, salads, and Jello molds were also made on the premises. There were little extras too. Silver covers were provided for cups of coffee and silver-plated teapots were given to those who ordered tea. The silverware was also made of genuine silver until the late '60s when people started stealing so much of it that the cafeteria had to change over to stainless steel.

The Forum managed to survive, not because it scrimped on either the quality of its service or its food but rather because it was ingeniously organized. Every aspect of the Forum's operation had a pattern, from the preparation of food in the middle of the night to the counterclockwise method used by the cashier in adding up the items on a customer's tray. All of this added up to a savings of hours, which translated into extremely low prices.

In the 1950s it was possible to fill your tray at the Forum for under a dollar; a three-course meal went for something like $.75. The prices increased gradually but just before the Forum burned down it was still possible to get a dinner of T-bone steak with potatoes and salad for $3.00, a dinner of hamburger, perch, chicken, or pork for $1.25, or a special lunch of franks, beans, fried potatoes, and squash for $.79. The prices never stopped being among the lowest in the Loop but the crowds of people who used to pay them slowly melted away.

The crowds held up through the '50s but began to gradually decrease in the '60s, completely disappearing by the end of the decade. The Forum had served around 8,000 meals a day in 1960 and was down to 4,000 a day in 1968.

There were reasons, of course, including the abandonment of the downtown area, which took place at an accelerating rate with the growth of suburban shopping centers. But in the case of the Forum, there was something else as well. With the coming of the 1970s, the cafeteria that had once seemed willing to feed the entire city, that was equipped to serve 800 meals an hour but was now serving fewer than 3,000 meals in a 15-hour day, fed mostly old-time customers who still came in regularly. They were people like a former bantam-weight boxing champion, the father of a well-known Hollywood actor, a few aging politicians, and retirees from all over the city, who remembered the old days when the Loop was a community and the Forum was its heart.

"You know," Havlik said one day last December, referring to a shabbily dressed customer, "you can't tell from outward appearances what these people are or who they were."

They had changed too. The 1940s and '50s were in many cases the most memorable years of their lives. Returning to the Forum was like reliving those days when it seemed that prosperity was here to stay and their problems were behind them.

Unfortunately, it didn't turn out that way. A society that suddenly found it had more than enough to meet its needs invented new needs to be fulfilled. Food, when it stopped being scarce, became a form of entertainment. As consumption blossomed into America's number one indoor sport, restaurants such as the Forum were transformed into obsolete reminders of a forgotten mentality and a bygone era.

Standing one afternoon near the Forum's double serving line, Havlik remarked: "You know it's funny, the way at this stage a lot of our customers seem to be dying off. I'll remark to someone that I haven't seen so and so here in some time, a regular customer who had been eating here for years, and he'll say, 'Oh yeah, he passed away.'"

It was a week before the fire and Havlik was feeling nostalgic about the place. "You wouldn't believe what a showplace this once was," he said. "Yes," he continued, nodding, "it was the real center of town."

By David Satter



3 Firemen Killed, 24 Injured In Chicago Fire.
January 6, 1973, CHICAGO (UPI)

The roof of a burning Loop cafeteria collapsed early today, showering firemen with smoldering debris and pinning dozens of them in the rubble of heavy beams, plaster, and bricks. 

At least three firemen were killed and 24 others were i injured, some seriously. More than 30 firemen were inside the building when, without warning, the roof caved in. Fire Commissioner Robert Quinn said the firemen had just been told to leave the building when the roof suddenly gave way, pinning the helpless firefighters.

Firemen continued fighting the blaze while others sifted through the charred rubble in search of their lost comrades or worked with axes, crowbars, and power saws to free men pinned beneath the rubble.


The search for bodies was centered in the fire-ravaged Forum Cafeteria on West Madison Street. Two of the dead firemen were identified as Timothy Moran, about 35, and Richard Kowalzyk, 31. During the search, firemen found the body of a third fireman. His body was cut out from under a crossbeam in the debris. He was not immediately identified.


The cafeteria was closed when the blaze broke out early this morning but seven employees were in the building. They fled to safety. "Christ, we're lucky we're here," an exhausted, ice-laden fireman said when he learned of the numerous injuries. "These damn fires, these ceiling fires. They're the worst. It can go at any minute, just boom, that's all she wrote," he said.


The cause of the blaze was not immediately determined, but fire officials said the blaze apparently started in a storage loft above the second floor, which housed exhaust fans to cool the building.


Iroquois Theatre Fire of 1903 was the deadliest theatre and single-structure fire in the United States history, claiming over 602 lives in Chicago, Illinois.

On Wednesday, December 30,1903, the deadliest theatre and single-structure fires in United States history occurred at Chicago's new "Iroquois Theatre," at the northeast corner of Randolph and Dearborn Streets 79-83 Randolph (after the 1911 Loop Renumbering; 36 West Randolph Street), during the standing-room-only matinée performance starring the famous comedian Eddie Foy.

Regular "Iroquois" Prices: $1.50, $1.00, 75¢, 50¢
The fire claimed the lives of more than 602 people, including scores of children, who were packed into the place for the afternoon show.

The Iroquois Theatre was much acclaimed, even before it opened. In addition to being "absolutely fireproof," it was a beautiful place with an ornate lobby, grand staircases, and a front facade that resembled a Greek temple with massive columns. The theatre was designed to be safe, and it had 25 exits that, it was claimed, could empty the building in less than five minutes. The stage had also been fitted with an asbestos curtain that could be quickly lowered to protect the audience. All of this would have been impressive if it had been installed and the staff had any idea how to use the safety devices that existed.
A view of the stage from the balcony shows the devastation of the fire.
And those were not even the worst problems. Seats in the theatre were wooden and stuffed with hemp. "Unattractive" safety doors were hidden from sight, and gates were locked across the entrance to the balcony during the show so that those in the "cheap seats" wouldn't sneak into the main theatre.
The building had no fire alarms, and a myriad of other safety equipment had been forgotten or simply ignored, leading to the ever-popular "Chicago pay-offs" to officials who allowed the new theatre to open on schedule anyway.
A photograph was taken from the stage of the fire-blackened theatre. 
As crowds filled the theatre on that cold December day in 1903, they had no idea how close their way was to meet their deaths. The horrific events began soon after the holiday crowd had packed into the theatre on Wednesday afternoon to see a matinee performance of the hit comedy Mr. Bluebeard. The main floor and balcony were packed, dozens more were given "standing-room-only" tickets, and they lined the rear and walls of the theatre.
The balcony of the theatre had the greatest loss of life. Theatre patrons were trapped there by gates that were locked across the stairways and then abandoned by theatre staff after the fire began. Others raced for the fire escapes—only to find that they had never been installed. Many in the balcony burned to death or plunged to their death outside the alleyway.
Around the beginning of the second act, stagehands noticed a spark descend from an overhead light and then watched some scraps of burning paper fall onto the stage. In moments, flames began licking at the red-velvet curtain, and while a collective gasp went up from the audience, no one rushed for the exits. It's believed the audience merely thought the fire was part of the show.

A few moments later, a flaming set crashed onto the stage, leaving little doubt that something had gone wrong. A stagehand attempted to lower the asbestos curtain that would protect the audience, and it snagged halfway down, sending a wall of flame out into the audience.

Actors on stage panicked and ran for the doors. Chaos filled the auditorium as the audience rushed for the theatre's Randolph Street entrance. With children in tow, the audience members immediately clogged the gallery and the upper balconies. The aisles had become impassable, and as the lights went out, the crowd milled about in blind terror. The auditorium began to fill with heat and smoke, and screams echoed off the walls and ceilings. Through it all, the mass continued to move forward, but when the crowd reached the doors, they could not open them. The doors had been designed to swing inward rather than outward.
The crush of people prevented those in the front from opening the doors. Many of those who died burned and suffocated from the smoke and the crush of bodies. Later, as the police removed the charred remains from the theatre, they discovered several victims had been trampled in the panic. One dead woman's face even bore the mark of a shoe heel.
Backstage, theatre employees and cast members opened a rear set of double doors, which sucked the wind inside and caused flames to fan out under the asbestos curtain and into the auditorium. A second gust of wind created a fireball that shot out into the galleries and balconies filled with people. All of the stage drops were now on fire, and as they burned, they engulfed the supposedly noncombustible asbestos curtain, and when it collapsed, it plunged into the seats of the theatre.

The fire burned for almost 15 minutes before an alarm was raised at a box down the street. From the outside, there appeared to be nothing wrong, and it was so quiet that the first firefighters to arrive thought it was a false alarm.

This changed when they tried to open the auditorium doors and found they could not—too many bodies stacked against them. They were only able to gain access by actually pulling the bodies out of the way with pike poles, peeling them off one another, and then climbing over the stacks of corpses. It took only 10 minutes to put out the blaze, as the intense heat inside had already eaten up anything that would still burn. The firefighters made their way into the blackened auditorium and were met with only silence and the smell of death. They called out for survivors, but no one answered their cry.

The gallery and upper balconies sustained the greatest loss of life as the patrons had been trapped by locked doors at the top of the stairways. The firefighters found 200 bodies stacked there, as many as 10 deep. Those who escaped had literally ripped the metal bars from the front of the balcony and had jumped onto the crowds below. Even then, most of these met their deaths at a lower level.
Bodies of the dead lined up in the alley behind the theatre. Newspaper reporters dubbed this alleyway, officially known as Couch Place, "Death Alley" after the fire, and it still remains one of the most haunted spots in Chicago.
A few who reached the fire escape door behind the top balcony found the iron staircase missing. In its place was a platform that plunged about 100 feet to the cobblestone alley below. Across the alley, behind the theatre, painters were working on a building occupied by Northwestern University's dental school. When they realized what was happening at the theatre, they quickly erected a makeshift bridge using ladders and wooden planks, extending across the alley to the fire escape platform. Reports vary regarding how many they saved, but several people climbed across the bridge.
Several plunged to their deaths as they tried to escape across the ladder, but many times that number jumped from the ledge or was pushed by the milling crowd that pressed through the doors behind them. The passageway behind the theatre is still called "Death Alley" today after nearly 150 victims were found here.
When it was over, 572 people died in the fire, and more died later, bringing the eventual death toll up to 602, including 212 children. For nearly five hours, police officers, firemen, and even newspaper reporters carried out the dead. Anxious relatives sifted through the remains, searching for loved ones. Other bodies were taken away by police wagons and ambulances and transported to a temporary morgue at Marshall Field's on State Street. Medical examiners and investigators worked all through the night.
Two of Frank Lloyd Wright's sons, John, eleven and Frank Jr., thirteen years old, escaped from the Iroquois Theatre with Flora Tobin, their grandmotherCatherine Lee Tobin Wright was Frank Lloyd Wright's first wife, and Flora Tobin was Catherine's mother. Catherine and Frank were married in 1890 and were divorced in 1923. [NOTE: "Flora was known in the family as "Blue Gramma," given the name by color-blind Frank Lloyd Wright Jr., who saw her red hair as blue."]
This view of the Iroquois Theatre outside was taken after 4:00 PM on December 30, 1903.
The city went into mourning. Newspapers carried lists and photographs of the dead, and the mayor banned all New Year's celebrations. An investigation into the fire brought to light several troubling facts. The investigation discovered that the supposedly "fireproof" asbestos curtain was made from cotton and other combustible materials and would have never saved anyone. In addition to not having any fire alarms in the building, the owners had decided that sprinklers were too unsightly and too costly and had never had them installed.

To make matters worse, the management also established a policy to keep non-paying customers from slipping into the theatre during a performance -- they quietly bolted nine pairs of iron panels over the rear doors and installed padlocked, accordion-style gates at the top of the interior second and third-floor stairway landings. And just as tragic was the idea they came up with to keep the audience from being distracted during a show. They ordered all of the exit lights to be turned off.

The investigation led to a cover-up by officials from the city and the fire department, who denied all knowledge of fire code violations. They blamed the inspectors, who had overlooked the problems in exchange for free theatre passes. A grand jury indicted several individuals, including the theatre owners, fire officials and even the mayor. No one was ever charged with a criminal act. Families of the dead filed nearly 275 civil lawsuits against the theatre, but no money was ever collected.

The Iroquois Fire still ranks today as one of the deadliest in history. Nevertheless, the building was repaired and reopened briefly in 1904 as Hyde and Behmann's Music Hall and then in 1905 as the Colonial Theatre.

In 1924, the building was razed to make room for a new theatre, the Oriental, but the facade of the Iroquois was used in its construction. The Oriental operated at what is now 24 West Randolph Street until the middle part of 1981, when it fell into disrepair and was closed down. It opened again as the home to a wholesale electronics dealer for a time and then went dark again. The restored theatre is now part of the Civic Tower Building and is next door to the restored Delaware Building. 

It reopened as the Ford Center for the Performing Arts Oriental Theatre in 1998; however, it is commonly called simply the Oriental Theatre.

But this has not stopped the tales of the old Iroquois Theatre from being told, especially in light of more recent -- and more ghostly events. According to recent accounts from people who live and work in this area, "Death Alley" is not as empty as it appears. The narrow passageway, which runs behind the Oriental Theatre, is rarely used today, except for the occasional delivery truck or a pedestrian hurrying to get somewhere else. It is largely deserted, but why? The stories say that those few who do pass through the alley often find themselves very uncomfortable and unsettled here. They say that faint cries are sometimes heard in the shadows and that some have reported being touched by unseen hands and by eerie cold spots that seem to come from nowhere and vanish just as quickly.
Panoramic view into Couch Place Alley (Death Alley) and the Chicago Theatre used to be adjacent to the Iroquois Theatre. This alley in downtown Chicago held a six-foot-high pile of bodies of over 600 dead people after the Iroquois Theatre fire.


Could the alleyway, and the surrounding area, actually be haunted? And do the spirits of those who met their tragic end inside the burning theatre still linger here? Perhaps, or perhaps the strange sensations experienced here, are "ghosts of the past" of another kind. A chilling remembrance of a terrifying event that will never be completely forgotten.
Iroquois Theatre Memorial at the Montrose Cemetery, 5400 North Pulaski Road, Chicago, Illinois.
Compiled by Dr. Neil Gale, Ph.D.