Saturday, February 13, 2021

Why Chinese Restaurants Nearly Became Extinct in Chicago.


In historical writing and analysis, PRESENTISM introduces present-day ideas and perspectives into depictions or interpretations of the past. Presentism is a form of cultural bias that creates a distorted understanding of the subject matter. Reading modern notions of morality into the past is committing the error of presentism. Historical accounts are written by people and can be slanted, so I try my hardest to present fact-based and well-researched articles.

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FOR HISTORICAL CLARITY
When I write about the INDIGENOUS PEOPLE, I follow this historical terminology:
  • The use of old commonly used terms, disrespectful today, i.e., REDMAN or REDMEN, SAVAGES, and HALF-BREED are explained in this article.
Writing about AFRICAN-AMERICAN history, I follow these race terms:
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  • "AFRICAN-AMERICAN" [Afro-American] began usage in the late 1980s.

— PLEASE PRACTICE HISTORICISM 
THE INTERPRETATION OF THE PAST IN ITS OWN CONTEXT.
 


In a country with over three times more Chinese restaurants than 14,000 McDonald's, it is hard to believe that Chinese eateries almost became extinct over a century ago.

The threat came from legislation passed in Chicago — and other cities around the country — aimed to protect young white women from the supposed dangers of chop suey houses.

The folks leading this charge included an unexpected mix of restaurant labor unions, Chicago aldermen, and legislators nationwide. Strangely enough, it even had articles in the Chicago Tribune, including those that used a racial slur.
A 1910 Tribune investigation charged: "The laws of morality and health, police regulations, and practically all the other protective measures are being violated openly by many chop suey establishments... Young girls with braids down their backs are escorted daily into these oriental places by boys wearing their first long trousers and are introduced to cigarette smoking and drinking. Other evils destined to make them the slave wives of Chinamen, or drag them down into lives of more open shame."

So how did this anti-chop suey hysteria start, and how did it all simmer down? That's chronicled in a recent paper, "The War Against Chinese Restaurants," by the University of California at Davis law scholar Gabriel "Jack" Chin. Chin says he got his first inkling of this history when he ran across "this bizarre 1911 case about a law in Massachusetts that prohibited white women from entering or working in Chinese restaurants."

The law was eventually declared unconstitutional, but Chin found similar proposals nationwide, including in Chicago, Minneapolis, New York, and Boston.
Guey Sam's Chinese Restaurant, on Wentworth Avenue in Chicago's Chinatown, is shown in 1928 during a celebration of the anniversary of the Republic of China. Chop Suey palaces like Guey Sam were targeted for closing earlier in the 1900s. 


Chin says the movement started with restaurant-worker labor unions that felt their livelihoods were threatened by the explosion of (nonunionized) Chinese restaurants in the early 20th century. "The union members and their comrades in the labor movement didn't want the competition, and so they came up with a range of ways to suppress them," he says.

These ways included telling their members to boycott Chinese restaurants under the threat of fines. But that fizzled when the union members kept eating at the restaurants anyway. "It turned out they couldn't fight the lure of cheap, tasty food," Chin said with a laugh. But then the movement turned legislative. 

In Chicago, this meant proposals for the following:
  • A 1906 proposal to restrict men under 21 and women under 18 from entering chop suey restaurants after 10 pm while banning any live music from the establishments.
  • A 1906 rule requiring special licensing fees and additional taxes for chop suey restaurants.
  • A 1906 measure to restrict restaurant licenses to only those with American citizenship — something people from China were not allowed to obtain.
  • A 1911 ordinance to refuse construction permits to any "Chinamen” near Wabash Avenue and 23rd Street.
When Alderman Daniel Harkin (one of the 1906 citizenship ordinance's supporters) was informed that the proposed legislation would effectively bar Chinese from the restaurant trade, he responded that the city "could get along without any chop suey places," according to Tribune reports at the time.

It should be noted that many (but certainly not all) of Chicago's early Chinese restaurants sprang up in Chinatowns that abutted the city's red-light districts (first around Harrison Street and then Cermak Road). Many offered music, kept late hours, attracted a Bohemian clientele and were connected to saloons or gambling houses.

"You could think of them as kind of underground rave or underground dance parties," Chin says, reaching for a more modern analogy. "They were places of racial mixing, freer from the regulation of a traditional society at a time of cultural change when women started to vote and were headed toward national suffrage. And in the middle of this emerged a chop suey craze."

This all came together to produce the fear illustrated in this excerpt from a 1910 Tribune editorial.

“More than 300 Chicago white girls have sacrificed themselves to the influence of chop suey joints during the last year, according to police statistics. Vanity and a desire for showy clothes led to their downfall, it is declared. It was accomplished only after they smoked and drank in the chop suey restaurants and permitted themselves to be hypnotized by the dreamy seductive music that is always on tap.”

So how close did these laws come to closing Chinese restaurants altogether?

"We came pretty close," Chin says. "These laws passed legislatures in places like Pittsburg, Montana, and Massachusetts. But, in all those cases, cooler heads prevailed at the end of the day. In Montana, the U.S. Secretary of State William Jennings Bryan communicated with the legislators that this didn't make any sense and would cause problems for us internationally."

In Chicago's case, most of these laws were eventually struck down by the City Hall lawyers who warned the aldermen they couldn't single out individual types of restaurants for special rules. Still, in 1911, the City Council passed the ordinance to refuse construction and remodeling permits to people of Chinese descent around 23rd and Wabash. The rationale? That "the Chinese of the city of Chicago are invading said neighborhood" and "if they are permitted to settle in the neighborhood, it will materially affect and depreciate the value of the property."

But just because much of the legislation stalled, it didn't mean the larger movement was stopped. Chin notes that the anti-Chinese movement succeeded in its bigger goal to expand immigration restrictions to Japanese, Filipinos, and South Asians. And this goal was achieved with the passage of the Asian Exclusion act of 1924, clamping down on the immigration of all people from Asia.

So then, how did Chinese restaurants continue their steady growth to become one of the most ubiquitous restaurant styles in the country?

Chinatowns were first formed after the Chinese Exclusion Act was passed in 1882. The law barred Chinese laborers from immigrating to the U.S., though exceptions were made for students, teachers, diplomats, and merchants. The Chinese already living in America suffered violent racism and discrimination and could not assimilate into the country's social or economic fabric. They relied on urban clusters — Chinatowns — to survive without the means to return to China.

A 1915 federal court decision was found that secured the standing of the "restaurateur" as someone who could qualify under the "merchant" category.

The act was repealed in 1943, though there was an annual quota of 105 new entry visas, and the ethnic Chinese were still banned from owning property or businesses. It wasn't until 1965, when President Lyndon B. Johnson signed the Immigration and Nationality Act that racial immigration restrictions were lifted. The country's Chinese population in America soared in the following decades, especially in Manhattan and San Francisco, ushered by the rise of communism in mainland China.

The number of Chinese restaurants in large American cities rose substantially. In some places, it was eightfold, and in other areas, up to twentyfold. This status finally allowed the restaurateurs to travel back and forth to China and bring over relatives crucial to their labor force. These were usually sons roughly between the ages of 12 and 17 who could go to (American) schools for a few years while working part-time in restaurants. And when they were old enough, they became full-time employees.

But it's not like the process was easy. Applicants had to prove they were operating a "high grade" restaurant, which required raising $80,000 to $150,000 in today's money. This may explain why many of Chicago's early Chinese restaurants were built as chop suey palaces with lavish decor and live music.

Even after the applicants launched the restaurant, rules required that the merchant refrains from any menial labor (cooking or serving) for a year. And two white witnesses (often vendors to the restaurant) had to vouch for their claims. But the Chinese were resourceful, inventive, and determined when working the system, and they had to be.

With the resulting economic growth of the Chinatown boom in the Chinese restaurant industry, it wasn't long before Chinatowns began to be viewed as tourist destinations.

Why Chicago's Chinatown is booming
even as others across the country are fading away.
Chin Foin, Chicago's foremost Chinese restaurateur, opened his first restaurant, "King Yen Lo" in 1902 upstairs from a saloon, the notorious establishment of alderman Michael "Hinky Dink" Kenna on the corner of Clark and Van Buren.


Most Chicago Chinatown businesses, restaurants, and agencies operate bilingually since most residents speak a Chinese dialect, and nearly 65 percent are foreign-born. At a time when traditional urban Chinatowns in Manhattan, San Francisco, Boston, and Philadelphia are fading due to gentrification and changing cultural landscapes, Chicago's Chinatown is growing larger — becoming what experts say could be a model for Chinatown survival in America. In Chicago, where several neighborhoods are no longer defined by the immigrant or ethnic groups that once occupied them, Chinatown is an exception, having anchored the area centered around Cermak Road and Wentworth Avenue since 1912.
Chinese people parade on Wentworth Avenue in Chinatown to commemorate the 45th anniversary of the founding of the Republic of China in 1956.
Local leaders say it has avoided gentrification because Chinese Americans value a sense of belonging and choose to stay in the neighborhood. Few Chinese move out, but if they do, they sell their homes to other Chinese people.

Between 2000 and 2010, Chinatown's population increased by 24%, and its Asian population increased by 30%. Asians make up nearly 90% of the neighborhood's population. Experts also say that of all the foreign-born Asians living in Chicago's Chinatown, almost 10% arrived in the last three years — a stark contrast to New York and San Francisco, where immigrants no longer fuel Chinatowns.

Walk through the Chinatown Gate and south on Wentworth. You may see young Chinese professionals gathered at dim sum restaurants, clusters of Chinese children skipping to the playground for recess, or hear a Chinese drama echoing from a dated television at the back of a bakery. 


It's unlikely Chicago's Chinatown will succumb to national trends, experts say, and projections show the greater Chinatown area growing. Bordering neighborhoods have already seen an influx of Asian families moving in: Between 2009 and 2013, Bridgeport's Asian-American population grew from 26% to 35%, while McKinley Park expanded from just under 8% to 17%.

Recognizing the national decline of other Chinatowns, city planners and local organizations are committed to investing in it, which could be why the neighborhood is thriving. The Chicago Metropolitan Agency for Planning executed its plan to preserve Chinatown's cultural identity by improving public education, and elderly care, bolstering transportation infrastructure, and creating more public parks.

The city opened a two-story, $19.1 million branch of the Chicago Public Library on South Wentworth, which attracts about 1,500 people daily. It caters to Chinese-speaking patrons, as many residents visit the library for English classes.

Smaller Chinatowns, like that of Washington, D.C., have been diminishing for decades and are now identifiable by just an ornate welcome gate or pocket of Chinese restaurants. And in the last few years, the large, traditional Chinatowns in San Francisco and Manhattan have also decreased.

Chicago differs from Manhattan and San Francisco in that it doesn't have as high of demand nor as tight of a supply of rentable apartments. Experts and local leaders agree that Chicago's Chinatown could thrive because of its commitment to Chinese traditions, making it attractive to Asians and non-Asian visitors. 

Some young people even live and work in Chinatown just to learn Chinese.



Compiled by Dr. Neil Gale, Ph.D.
Contributors: Monica Eng and Marwa Eltagouri

Wednesday, February 10, 2021

Ed Williams' Oahu Isle of the Nameless Cafe, Chicago. The Famous Live Jazz Venue.

Ed Williams' Oahu Isle of the Nameless Cafe, 4753 W Madison Street (at Cicero Ave.), Chicago. 1945




So how did the Nameless Night Club become locally famous?

Artists and groups like Bernie Heller and his trio playing their first Mid-Western date at the Nameless Cafe. Joe Pranks and His Advocates of Swing moved to the Oahu Isle Room of the Nameless Cafe. Musicians like Eddie Wigens, Mancini Ore, Ona Mayo, Gwen Paul, Blarglo Strong, Evelyn Reed, Ed Leon, The Fioramanti Boys, and many more played at the Nameless Cafe. Then came George Barnes, who explored jazz with an electric guitar in the late thirties when he was about 16 years old. 
George Barnes - At home with friends in 1941

In the spring of 1941, 19-year-old guitarist George Barnes had already been a national radio star for almost two years and enjoyed jamming with his colleagues after they’d wrapped their respective NBC shows. 
17-year-old Guitarist George Barnes.



In March, June, and September of 1941, George’s friends — including violinist Benny Gill, rhythm guitarist Bill Huntington, and bassist Bill Moore — dropped by his Chicago apartment in The Chelsea Hotel at 920 W Wilson Avenue, in the “Heart of the Uptown District," and played into the wee hours. 
The Chelsea Hotel in the “Heart of the Uptown District"


Fifteen tracks were recorded directly to acetate discs by recordist Joe Campbell, who had been a Barnes fan since the first time he heard 17-year-old George play at Ed Williams’ Nameless Cafe on Chicago’s West Side.
George Barnes and the Jazz Renaissance Quintet
Bach Fugue in G Minor

Compiled by Dr. Neil Gale, Ph.D.

Monday, February 8, 2021

John Wilkes Booth's Failed Lincoln Abduction Plots.

The Lincoln assassination story is well known: On April 14, 1865, actor John Wilkes Booth shot President Abraham Lincoln, at point-blank range in the head, at Ford’s Theatre. Lincoln died the next morning in the Petersen's boarding house directly across the street from the theatre. Booth escaped—temporarily—but was shot 12 days later in Virginia.
John Wilkes Booth
What is lesser known is that Booth did not always plan on killing Lincoln. In fact, the actor’s original plan was not to strike a fatal blow. He wanted to abduct Lincoln, take him to Richmond, and exchange him for Confederate soldiers then held in Union prisons.

Booth sent a message to his brother-in-law, John Clarke Sleeper (changed to "John Sleeper Clarke" as his stage name). In 1859 Clarke became part of the Booth family when he married Asia Booth, John Wilkes Booth's sister. On November 25, 1864, Booth wrote: “My love, as things stand today, is for the South alone. Nor do I deem it a dishonor in attempting to make for her a prisoner of this man to whom she owes so much misery.”

In 1864, General Ulysses S. Grant had stopped all prisoner exchange between the Union and the Confederacy in an attempt to decrease the Confederacy's military capability. The Confederacy did not have as much manpower as the Union, so every soldier counted. Booth said as much to would-be co-conspirator John Harrison Surratt Jr.: “We cannot spare one man, whereas the United States government is willing to let their own soldiers remain in our prisons because she has no need of the men. I have a proposition to submit to you, which I think if we can carry out will bring about the desired exchange.”

To carry out his plan, Booth enlisted the help of six men: John Surratt Jr., Samuel Bland Arnold, George Andrew Atzerodt, Michael O'Laughlen, Jr., David Edgar Herold, and Lewis Thornton Powell (aka Lewis Paine or Payne).

They all had a specific skill or knowledge, which made them an asset to the team. Arnold and O’Laughlin were old friends of Booth. Atzerodt was known for helping Confederate spies across the Potomac River. Surratt often helped the Confederate secret service and knew all about the secret routes in Southern Maryland used by Confederate spies to enter and leave Washington. Powell (who worked with the Confederate Secret Service in Maryland) had the physical strength to overwhelm the 6’4” president. Herold knew the poorly mapped routes that existed below Washington D.C.

The men were motivated by an undying loyalty to the Confederacysomething to which even those loyal to the Union might relate, as John Surratt opined years later.

“And now reverse the case. Where is there a young man in the North with one spark of patriotism in his heart who would not have with enthusiastic ardor joined in any undertaking for the capture of Jefferson Davis and brought him to Washington? There is not one who could have not done so. And so I was led on by a sincere desire to assist the South in gaining her independence.”

One plan was to capture Lincoln while he was watching a play in Ford’s Theater on January 18, 1865. They would kidnap the President in his box, lower him onto the stage and carry him out of the theater. This plan was never carried out as some of the men deemed it unfeasible. It so happened that Lincoln changed his plans at the last minute, opting to stay at home instead of going to the theater on a stormy night.

Another plot was to capture the President while he was traveling to the Soldiers’ Home. Located several miles from the White House in what was then the rural Washington County part of the District, the Soldiers’ Home was Lincoln’s main residence during the hot summer months. The President would often take a carriage there with little or no protection, making him a vulnerable target.
This photo of the Soldiers' Home is from the Todd Family Album. It shows the Summer Cottage as it appeared in Lincoln’s time in 1864. Built in 1842-1843, the Cottage was the first building on the property. Banker George Washington Riggs had bought the land for a “country estate.” Taking inspiration from landscape designer Andrew Jackson Downing’s Cottage Residences, the 34-room mansion and surrounding land was bought by the Federal Government in 1851. It served as the original housing for the inmates of the Soldiers’ Home, as the residents were called at the time. The Soldiers’ Home itself was called the “Military Asylum until 1857."


These were not the only plots to kidnap Lincoln. Two members of the Confederacy army also had plans to abduct the President. One was Joseph Walker Taylor, the nephew of former president Zachary Taylor. The other was Colonel Bradley T. Johnson. Neither was carried out and it is unknown whether Booth knew about them.

By Lincoln’s second inauguration on March 4, 1865, Booth was able to get increasingly closer to his target. In fact, he and his would-be accomplices were able to attend the inauguration as personal guests of Senator John Parker Hale’s daughter, Lucy—who also happened to be one of Booth’s girlfriends. During the day’s events, Booth got close enough to lunge at Lincoln and had to be restrained by police. Though he explained that he had simply stumbled, Booth later mused, “What an excellent chance I had, if I wished, to kill the President on Inauguration day!

Even as they schemed, Booth and his conspirators were on the lookout for new opportunities.

On March 17, 1865, Booth was told the President was going to attending a performance of the play "Still Waters Run Deep" at the Campbell Military Hospital. 

As Surratt remembered, “The report only reached us about three-quarters of an hour before the time appointed, but so perfect was our communication that we were instantly in our saddles on the way to the hospital.” The group met at a nearby restaurant to iron out the details. They would stop the carriage as Lincoln returned home after the play, and overpower the President and his driver. Both men would be handcuffed and taken across the Potomac River through Southern Maryland.

“We felt confident that all the cavalry in the city could never overhaul us,” Surrat explained. The group had quick horses, knowledge of the countryside, and had planned of getting rid of the carriage once they were out of D.C.

After the meeting, Booth decided to go to the hospital to make sure everything was set. To his surprise and disappointment, Lincoln was not there. It turned out the President was at a ceremony in the National Hotel.

After this failed attempt, some in the group gave up. As Surratt explained, “We soon after this became convinced that we could not remain much longer undiscovered, and that we must abandon our enterprise.” He left Washington and was in Canada by mid-April. Likewise, Arnold and O’Laughlin left D.C. and returned to their homes in Baltimore. Neither was involved in the assassination.

When he was planning the abduction, Booth showed few signs of wanting to kill the President. Only once did he hint at this when meeting with his group. The idea was turned down quickly and Booth excused himself saying that he “had drunk too much champagne.”

However, after the failure to carry out the abduction plot in March and Union’s capture of Richmond in early April, Booth’s attitude apparently changed. In 1865 Colonel and Brigadier General Thomas Thompson Eckert (the assistant Secretary of War from 1866 to 1867), testified that Powell said Booth showed his intent to murder the President during the celebration that followed the fall of Richmond.

“[On April 11th] The President made a speech that night from one of the windows of the White House" where the president voiced his intention to allow educated and all negro veterans to vote. "Powell and Booth were on the grounds in front,” Ecker said. “Booth tried to persuade him to shoot the President while [Lincoln was] in the window, but he told Booth he would take no such risk." They left then and walked around the square, and that Booth remarked: ‘That is the last speech he will ever make.’”

John Wilkes Booth took his last drink at the Star Saloon, across the street from the Ford's Theatre, fifteen minutes before he shot Abraham Lincoln. Booth and the remaining co-conspirators carried out the assassination plot on the evening of April 14, 1865. As he ran from the theater that night, Booth left behind some personal effects, including a letter from Arnold, urging patience:

“Time more propitious will arrive yet. Do not act rashly or in haste,” Arnold wrote. "Weigh all I have said, and, as a rational man and a friend, you can not censure or upbraid my conduct. I sincerely trust this, nor aught else that shall or may occur will ever be an obstacle to obliterate our former friendship and attachment.”

Booth, it seems, felt that the time for patience had passed.

NOTE: While Booth and Lincoln were not personally acquainted, Lincoln had seen Booth at Ford's Theatre in 1863. After the assassination, actor Frank Mordaunt wrote that Lincoln, who apparently harbored no suspicions about Booth, admired the actor and had repeatedly invited him (without success) to visit the White House.

By Laura Castro Lindarte
Edited by Dr. Neil Gale, Ph.D.