|Chicago's Bob Bell|
His school friends nicknamed him "Pinto" after his spotted horse named "Pinto" because of his freckled face, the name stuck for his entire life.
Pinot was known for a children's storytelling record album and illustrative read-along book set in 1946. He became popular during the late 1940s and served as the mascot for Capitol Records.
|Three Clowns: Abbott and Costello with Pinto Colvig as Bozo the Clown.|
|Bozo the Clown gets the bird from a bird to the enjoyment of the kids in the audience. Pinto Colvig plays the clown on KTTV's Bozo Circus. (c.1949)|
|Willard Scott plays Bozo the Clown on WRC-TV in Washington, D.C. (c.1960)|
Willard Scott Remembers His Bozo Days.
Performers who have portrayed Bozo, aside from Colvig and Harmon, include Willard Scott (1959–1962), Frank Avruch (1959–1970), Bob Bell (1960–1984), and Joey D'Auria (1984–2001). Bozo TV shows were also produced in other countries including Mexico, Brazil, Greece, Australia, and Thailand.
|The Jackson 5 and sister Janet on Bozo's Circus|
Bozo was created as a character by Livingston, who produced a children's storytelling record-album and illustrative read-along book set, the first of its kind, titled Bozo at the Circus for Capitol Records and released in October 1946. Colvig portrayed the character on this and subsequent Bozo read-along records. The albums were very popular and the character became a mascot for the record company and was later nicknamed "Bozo the Capitol Clown."
This is a promotional film made by Capitol Records to promote records starring "Bozo The Capitol Clown," the character created by Alan W. Livingston. This film would be sent to record and department stores in the early 1950s and played before the appearance of Bozo at live venues.
Many non-Bozo Capitol children's records had a "Bozo Approved" label on the record jacket. In 1948, Capitol and Livingston began setting up royalty arrangements with manufacturers and television stations for use of the Bozo character. KTTV in Los Angeles began broadcasting the first show, Bozo's Circus, in 1949 featuring Colvig as Bozo with his blue-and-red costume, oversized red hair and whiteface clown makeup on Fridays at 7:30 p.m.
In 1956, Larry Harmon, one of several actors hired by Livingston and Capitol Records to portray Bozo at promotional appearances, formed a business partnership and bought the licensing rights (excluding the record-readers) to the character when Livingston briefly left Capitol in 1956. Harmon renamed the character "Bozo, The World's Most Famous Clown" and modified the voice, laugh and costume. He then worked with a wig stylist to get the wing-tipped bright orange style and look of the hair that had previously appeared in Capitol's Bozo comic books. He started his own animation studio and distributed (through Jayark Films Corporation) a series of cartoons (with Harmon as the voice of Bozo) to television stations, along with the rights for each to hire its own live Bozo host, beginning with KTLA-TV in Los Angeles on January 5, 1959 and starring Vance Colvig, Jr., son of the original "Bozo the Clown," Pinto Colvig.
Unlike many other shows on television, "Bozo the Clown" was mostly a franchise as opposed to being syndicated, meaning that local TV stations could put on their own local productions of the show complete with their own Bozo. At its zenith, Harmon's franchise employed more than 200 Bozos, and 183 television stations around the country carried the syndicated television show, "Bozo the Clown."
Another show that had previously used this model successfully was fellow children's program Romper Room. Because each market used a different portrayer for the character, the voice and look of each market's Bozo also differed slightly. One example is the voice and laugh of Chicago's WGN-TV Bob Bell, who also wore a red costume throughout the first decade of his portrayal.
The wigs for Bozo were originally manufactured through the Hollywood firm Emil Corsillo Inc. The company designed and manufactured toupees and wigs for the entertainment industry. Bozo's headpiece was made from yak hair, which was adhered to a canvas base with a starched burlap interior foundation. The hair was styled and formed, then sprayed with a heavy coat of lacquer to keep its form. From time to time, the headpiece needed freshening and was sent to the Hollywood factory for a quick refurbishing. The canvas top would slide over the actor's forehead. With the exception of the Bozo wigs for WGN-TV Chicago, the eyebrows were permanently painted on the headpiece.
In 1965, Harmon bought out his business partners and became the sole owner of the licensing rights. Thinking that one national show that he fully owned would be more profitable for his company, Harmon produced 130 of his own half-hour shows from 1965 to 1967 titled Bozo's Big Top which aired on Boston's WHDH-TV (now WCVB-TV) with Boston's Bozo, Frank Avruch, for syndication in 1966.
Boston's WHDH-TV Channel 5, produced a local, weekday version of the Bozo show between 1959 and 1970. Frank Avruch played the title role. These excerpts are from a 1966 broadcast.
The show's distribution network included New York City, Los Angeles, Washington, D.C. and Boston at one point, though most television stations still preferred to continue producing their own versions.
The most popular local version was Bob Bell and WGN-TV Chicago's Bozo's Circus, which went national via cable and satellite in 1978 and had a waiting list for studio audience reservations that eventually reached ten years.
Bozo's Circus is On The Air!
Chicago's local history:
Other titles were: Bozo, Bozo's Circus, and The Bozo Super Sunday Show.
WGN-TV's first incarnation of the show was a live half-hour cartoon showcase titled Bozo, hosted by character actor and staff announcer Bob Bell in the title role performing comedy bits between cartoons, weekdays at noon for six-and-a-half months beginning June 20, 1960. After a short hiatus to facilitate WGN-TV's move from Tribune Tower in downtown Chicago to the city’s northwest side, the show was relaunched in an expanded one-hour format as Bozo's Circus, which premiered at noon on September 11, 1961. The live show featured Bell as Bozo (although he did not perform on the first telecast), host Ned Locke as "Ringmaster Ned," a 13-piece orchestra, comedy sketches, circus acts, cartoons, games, and prizes before a 200+ studio audience.
|1963 Photo postcard of Oliver O. Oliver (Ray Rayner), Bozo the Clown (Bob Bell), Sandy the Clown (Don Sandburg), and Ringmaster Ned (Ned Locke) on WGN-TV Bozo's Circus|
|Ray Rayner was the first|
NATIONAL “SPEAKING” TV
Ronald McDonald. 1968-69.
SIDEBAR: Ronald McDonald - Immediately following Willard Scott's three-year-run as WRC-TV Washington, D.C.'s Bozo, the show's sponsors, McDonald's drive-in restaurant franchisees John Gibson and Oscar Goldstein (Gee Gee Distributing Corporation), hired Scott to portray "Ronald McDonald, the Hamburger-Happy Clown" for their local commercials on the character's first three television 'spots.'
McDonald's replaced Scott with other actors for their national commercials and the character's costume was changed.
One of them was Ray Rayner (Oliver O. Oliver on WGN-TV's Bozo's Circus), who appeared in McDonald's national ads in 1968. In the mid 1960s, Andy Amyx, performing as Bozo on Jacksonville, Florida, television station WFGA, was hired to do local appearances of Ronald McDonald periodically.
Andy recalls having to return the wardrobe to the agency after each performance.
|Unused ticket and "visit" pin for Bozo's Circus broadcast of July 2, 1964. The ticket came with an "I Visited Bozo's Circus" pin attached; the marks where the pin was attached to it can be seen on the image. The ticket can be dated by the date it was valid for the television show. Both the ticket and the pin were issued by WGN-TV as promotional items for the show and for the WGN-TV station. In the case of the Bozo Show, there was once an 8-10 year wait for tickets to issued for a valid broadcast date. "What do you want, a Bozo button?"|
BOZO'S CIRCUS - 1968 - WGN-TV 9 - COMPLETE EPISODE!
|Magician Marshall Brodien demonstrating at the Treasure Chest's Magic Center, the upstairs shop that catered to the pros.|
From the beginning of the show until 1970, Bozo appeared in a red costume; Larry Harmon, the owner of the character's license, insisted Bozo wear blue. Harmon did not have his way regarding the costume's color in Chicago until after Don Sandburg, who was also the show's producer, left for California.
A prime-time version titled Big Top was seen September through January on Wednesday nights in 1965 through 1967.
Ray Rayner left Bozo's Circus in 1971 and was briefly replaced by actor Pat Tobin as Oliver's cousin "Elrod T. Potter" and then by magician John Thompson (an acquaintance of Roy Brown's and Marshall Brodien's) as "Clod Hopper." (Tobin previously had played Bozo on KSOO-TV in Sioux Falls, South Dakota. Thompson has appeared on A&E's Criss Angel Mindfreak.) Rayner periodically returned to guest-host as himself in his morning show's jumpsuit as "Mr. Ray" when Ned Locke was absent. The show had its 500,000th visitor in the same year. By 1973, WGN gave up on Thompson and increased Brodien's appearances as Wizzo. That same year, the National Association of Broadcasters issued an edict forbidding the practice of children's TV show hosts doubling as pitchmen for products. This resulted in major cutbacks to children's show production budgets.
In 1975, Bob Trendler retired from television and his Big Top Band was reduced to a three-piece band led by Tom Fitzsimmons. Locke also retired from television in 1976 and was replaced by Frazier Thomas, host of WGN's Family Classics and Garfield Goose and Friends, at which point Garfield Goose and Friends ended its 24-year run on Chicago television with the puppets moving to a segment on Bozo's Circus. As the storyline went, Gar "bought" Bozo's Circus from the retiring Ringmaster Ned and appointed "Prime Minister" Thomas as the new Circus Manager. In 1978 when WGN-TV became a national superstation on cable and satellite through what is now WGN America, the show gained more of a national following.
|Wizzo and Bozo in the late 70s.|
TV Powww! with Frances Eden of WKPT (c.1980)
By 1980, Chicago's public schools stopped allowing students to go home for lunch and Ray Rayner announced his imminent retirement from his morning show and Chicago television. The show stopped issuing tickets; the wait to be part of the audience was eight years long.
Beginning a summer hiatus and airing taped shows the next year pushed the wait-time back to ten years. On August 11, 1980, Bozo’s Circus was renamed The Bozo Show and moved to weekdays at 8:00 a.m., on tape, immediately following Ray Rayner and His Friends. On January 26, 1981, The Bozo Show replaced Ray Rayner and His Friends at 7:00 a.m. The program expanded to 90 minutes, the circus acts and Garfield Goose and Friends puppets were dropped, and Cuddly Dudley (a puppet on Ray Rayner and His Friends voiced and operated by Roy Brown) and more cartoons were added. In 1983, Pat Hurley from ABC-TV's "Kids Are People Too" joined the cast as himself, interviewing kids in the studio audience and periodically participating in sketches.
On May 1, 1984, Larry Harmon as Bozo the Clown, announced his write-in candidacy for president of the United States. That afternoon, dressed as Bozo, he arrived at Columbia University in a 1977 Cadillac limousine accompanied by “secret service” men wearing suits, sunglasses, and red clown noses.
The biggest change occurred in 1984 with the retirement of Bob Bell, with the show still the most-watched in its timeslot and a ten-year wait for studio audience reservations. After a nationwide search, Bell was replaced by actor Joey D'Auria, who would play the role of Bozo for the next 17 years.
|Bob Bell sadly retired from his position as Bozo in 1984 and with that decision, an end of a wonderful era in Chicago Broadcasting occurred. There was a wonderful special aired on WGN-TV entitled "Bob Bell: The Man Behind The Make-up" and it gave insight to a man that we knew very little about.|
Immel was replaced by Robin Eurich as "Rusty the Handyman," Michele Gregory as "Tunia" and Cathy Shenkelberg as "Pepper." In 1996, Shenkelberg was dropped and the show suffered another blow in 1997 when its format became educational following a Federal Communications Commission mandate requiring broadcast television stations to air a minimum three hours of educational children's programs per week. In 1998, Michele Gregory left the cast following more budget cuts.
In 2001, station management controversially ended production citing increased competition from newer children's cable channels. The final taping, a 90-minute primetime special titled Bozo: 40 Years of Fun!, was taped on June 12, 2001, and aired July 14, 2001. By this time, it was the only Bozo show that remained on television. The special featured Joey D'Auria as Bozo, Robin Eurich as Rusty, Andy Mitran as Professor Andy, Marshall Brodien as Wizzo and Don Sandburg as Sandy. Also present at the last show were Billy Corgan of The Smashing Pumpkins, who performed, and Bob Bell's family. Many of the costumes and props are on display at The Museum of Broadcast Communications. Reruns of The Bozo Super Sunday Show aired until August 26, 2001. Bozo returned to television on December 24, 2005, in a two-hour retrospective titled Bozo, Gar & Ray: WGN TV Classics. The primetime premiere was #1 in the Chicago market and continues to be rebroadcast and streamed live online annually during the holiday season.
Bozo also returned to Chicago's parade scene and the WGN-TV float in 2008 as the station celebrated its 60th anniversary. He also appeared in a 2008 public service announcement alerting WGN-TV analog viewers about the upcoming switch to digital television. Bozo was played by WGN-TV staff member George Pappas. Since then, Bozo continues to appear annually in Chicago's biggest parades.
Few episodes from the show’s first two decades survive; although some were recorded to videotape for delayed broadcasts, the tapes were reused and eventually discarded. In 2012, a vintage tape was located on the Walter J. Brown Media Archives & Peabody Awards Collection website archive list by Rick Klein of The Museum of Classic Chicago Television, containing material from two 1971 episodes. WGN reacquired the tape and put together a new special entitled "Bozo's Circus: The Lost Tape," which aired in December 2012.
On October 6, 2018, Don Sandburg, Bozo's Circus producer, writer, and the last surviving original cast member passed away at the age of 87. Four months later, WGN-TV paid tribute to Sandburg and the rest of the original cast with a two-hour special titled "Bozo's Circus: The 1960s."
"WHO'S YOUR FAVORITE CLOWN?" _____________________
URBAN MYTH: Krusty the Clown was based on Bozo.
MYTH BUSTED: Krusty the Clown was created by cartoonist Matt Groening and partially inspired by Rusty Nails, a television clown from Groening's hometown of Portland, Oregon. He was designed to look like Homer Simpson with clown makeup, with the original idea being that Bart worships a television clown who was actually his own father in disguise. Bob Bell (1960-1984), Bozo the Clown, whos voice was later the pattern for that of Krusty the Clown. Krusty made his television debut on January 15, 1989, in the Tracey Ullman Show short "The Krusty the Clown Show." Krusty then was on The Simpsons sitcom which began on December 17, 1989.
WGN CHICAGO ACTORS AND YEARS.
Character Actor Years
Bozo Bob Bell 1960–1984
Oliver O. Oliver Ray Rayner 1961–1971
Sandy Don Sandburg 1961–1969
Ringmaster Ned Ned Locke 1961–1976
Mr. Bob Bob Trendler 1961–1975
Cooky Roy Brown 1968–1994
Wizzo Marshall Brodien 1968–1994
Elrod T. Potter Pat Tobin 1971–1972
Clod Hopper John Thompson 1972–1973
Frazier Thomas Himself 1976–1985
Pat Hurley Himself 1983–1987
Bozo Joey D'Auria 1984–2001
Professor Andy Andy Mitran 1987–2001
Spiffy Michael Immel 1991–1994
Rusty Robin Eurich 1994–2001
Pepper Cathy Schenkelberg 1994–1996
Tunia Michele Gregory 1994–1998
Compiled by Neil Gale, Ph.D.
TV POWWW! was a franchised television game show format, in which home viewers controlled a video game via telephone in hopes of winning prizes.
The TV POWWW format, produced and distributed by Florida syndicator Marvin Kempner, debuted in 1978 on Los Angeles station KABC-TV as part of A.M. Los Angeles, and by the start of the next decade was seen on 79 local television stations (including national superstation WGN as part of Bozo's Circus) in the United States, as well as several foreign broadcasters. While most stations had dropped TV POWWW by the mid-1980s, stations in Australia and Italy were still using it as late as 1990.
Stations were originally supplied with games for the Fairchild Channel F console, but following Fairchild's withdrawal from the home video game market, Intellivision games were used. Kempner later unsuccessfully attempted to interest both Nintendo and Sega in a TV POWWW revival.
While the underlying technology was standardized across participating stations, the format of TV POWWW's presentation varied from market to market. Many presented TV POWWW as a series of segments that ran during the commercial breaks of television programming (a la Dialing for Dollars), while some (such as KTTV in Los Angeles) presented TV POWWW as a standalone program.
In the video game being featured, the at-home player would give directions over the phone while watching the game on their home screen. When the viewer determined that the weapon was aiming at the target, they said "Pow!", after which that weapon would activate.
Accounts vary as to what kind of controller technology was involved. Some sources state that the gaming consoles sent to the stations were modified for voice activation. However, a 2008 WPIX station retrospective claimed that for the station's version, where the player said "Pix" (Pron: picks), an employee in the control room manually hit the fire button when the caller indicated a shot.
One of the pitfalls of the gameplay was that, due to broadcasting technicalities, there was a significant lag in the transmission of a television signal. The player would experience this lag when playing at home, which likely made playing the game somewhat more difficult. (For similar reasons, such a game would be impossible in digital television without the use of a second video chat feed for the player, due to the time it takes to process and compress the video stream; most stations also mandate a seven-second delay to prevent obscenities from reaching the air.)